Cycling culture and heritage seldom converge, yet the AITASHOP flagship in Beijing is a space where both coexist.
March 26th, 2026
Within the former 751 Chemical Plant, Yatofu Creatives has realised a flagship for AITASHOP that addresses both the industrial framework of the site and the evolving rituals of contemporary cycling. Spanning 1,002 square metres, the project adopts the title The Future Ruin and positions itself between utility and exhibition.
The plan is bifurcated, delineated into two thematic zones: The Garage and The Experience Hub. The Garage, embedded in a lowered entry on the western elevation, functions as a working threshold – housing a maintenance zone, washing station and café-style commons. It also acts as a community node: a shared space for neighbourhood residents and cycling enthusiasts to gather over coffee, relax and socialise. The servicing of bicycles, often relegated to a back-of-house operation, is instead brought to the fore.
Related: Heritage and innovation meet by the river in new NZ theatre

Beyond this, The Experience Hub unfolds around ten decommissioned desulphurisation tanks – relics from the site’s industrial past. These are retained in situ and reframed as axial elements within the retail landscape.
Industrial-grade materials – galvanised mesh, stainless steel and perforated metal – are set against the weathered surfaces of the existing structure. These are joined by pre-rusted steel, microcement, birch ply, recycled wool felt and clay brick. A modular system of display units supports seasonal rotation and product variation, operating as an accessory library within the space. Seating by Artek and custom furniture by Yatofu introduce a quieter register. Intermittent installations and temporary interventions are accommodated throughout, enabling programmed activations beyond retail.
Yatofu Creatives
yatofu.com
Photography
Wen Studio












INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Now cooking and entertaining from his minimalist home kitchen designed around Gaggenau’s refined performance, Chef Wu brings professional craft into a calm and well-composed setting.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
After a decade without a theatre, New Zealand’s Kirikiriroa Hamilton opens the doors to BNZ Theatre, designed by Jasmax in consultation with Charcoalblue.
Poliform approaches wardrobes as a kind of architectural infrastructure within the home – modular systems, with highly-engineered fittings and a wide palette of finishes to allow for configurable, design-led solutions.
The internet never sleeps! Here's the stuff you might have missed
In the mountains of New Zealand’s South Island, a pair of remote cabins provide serene shelter with interiors informed by natural tones, materials and even local creatures.
A standout pavilion from this year’s Bangkok Design Week explores shade and light for people and place.