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Artificial Intelligence is the topic of the day. Whether it fills you with excitement, dread or something in between, it’s a crucial time to tackle the issues at hand with nuance and depth. Woods Bagot associate and tech advocate, Jet Geaghan, helps us peel back the layers, in this two-part series.
The Australian pavilion at this year’s Venice Architecture Biennale involves confronting questions of decolonisation in architectural form and history. Unsettling Queenstown looks at the ubiquitous presence of British colonialism.
From concrete Tokyo to Brutalist Sydney, Blue Crow Media provides a way into new cities — or perhaps a closer look at familiar ones — for the architectural connoisseur, especially those with a keen interest in the twentieth century history.
The first series of Designing a Legacy aired in 2020 and self-proclaimed design nerd, Tim Ross, is back with a two-part series on ABC. It’s a chance to bring important architectural issues to a national broadcasting audience.
Darling Quarter South Building represents the cutting edge of workplace design. It’s collaborative, campus-like and defined by fluid connections.
In this comment piece written by Jessica Lee, talks us through the standout trends in designing for aged care.
Created with the intention of expanding interior design possibilities, ‘StayDream – A Surreal Reality’ invites an examination of the various ways we perceive indoor and outdoor elements.
The shortlist for the Australian Institute of Architects Victorian Architecture Awards has been published. Nightingale Village is one of the projects in the mix and we spoke to Austin Maynard Architects about their part in it.
Once the domain of the ‘starchitect’, architecture has become a much more inclusive and accessible practice, with people like SJB director Adam Haddow leading the way.
Kerstin Thompson Architects’ work at Bundanon recently marked its one-year anniversary. With Thompson having recently been awarded the AIA Gold Medal, it’s a fitting time for a mini-retrospective, continued here in this second part.