Claire Delmar, Eva-Marie Prineas, Jason Gibney and Anton Assaad join STORIESINDESIGN to discuss the charm of Denmark’s capital city and their takes on 3daysofdesign 2026.

Photo by Stefania Zanetti.
July 14th, 2026
Four guests from different parts of the design community joined me at the University of Sydney for this roundtable special to discuss the recently completed 3daysofdesign. Claire Delmar (STUDIO CD), Eva-Marie Prineas (Studio Prineas), Jason Gibney (JGDW) and Anton Assaad (Great Dane, Hästens) experienced this year’s event as curators and designers attached to their own studio practices or businesses, with both family and colleagues — all providing a rich variety of perspective and experience for this lively conversation.
The discussion explores why Copenhagen’s 3daysofdesign has become one of the industry’s most influential events, with participants arguing that its success is inseparable from the city itself. Rather than being centred around a conventional trade fair, the festival encourages visitors to experience Copenhagen’s streets, architecture, showrooms and public spaces, creating a slower, more immersive approach to design.
A recurring theme is Denmark’s long-standing design culture, where quality, craftsmanship and longevity are valued over constant reinvention. The panel reflects on how timeless furniture, architecture and urban planning continue to shape everyday life, while debating whether newer brands can maintain these traditions amid commercial pressures and global manufacturing. Authenticity, local production and the balance between technological innovation and skilled handcraft emerge as important considerations.
Related: Jason Gibney’s Copenhagen diary

The conversation also highlights Copenhagen’s broader culture of generosity, sustainability and community. With personal anecdotes from saunas to supermarkets, the guests describe a city where thoughtful design extends beyond products to public transport, housing, hospitality and everyday interactions.
Several speakers discuss the value of experiencing Danish manufacturing firsthand, arguing that seeing furniture being made deepens appreciation for craftsmanship and helps designers communicate the value of quality products to clients. The panel also reflects on Australia’s growing presence at the festival, particularly through an exhibition showcasing Australian designers, which generated interest from international media, designers and specifiers while providing emerging creatives with valuable exposure to European markets.
3daysofdesign
3daysofdesign.dk
Jason Gibney Design Workshop
jgdw.com.au
Great Dane
greatdanefurniture.com
Claire Delmar
clairedelmar.com.au
Studio Prineas
studioprineas.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
From an overnight concert beneath the Royal Exhibition Building’s dome to light works along the Birrarung and a full-scale takeover of Melbourne Town Hall, Now or Never returns with a program that treats the city itself as a stage.
Cox Architecture’s Remy Chard reminisces about her interstate trip for Saturday Indesign two years ago, writing that such design events can act as catalysts for connection while countering the ‘catch-up trap’.
The internet never sleeps! Here's the stuff you might have missed
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
With significant representation from Australia, New Zealand and the wider Asia-Pacific, this year’s WAF shortlist is announced ahead of the Florida event.