The Futures Collective returned to Villa Alba Museum for Melbourne Design Week 2023. This event united a cadre of designers under the umbrella of three thought-provoking pillars — Transparency, Currency and Legacy.
The first series of Designing a Legacy aired in 2020 and self-proclaimed design nerd, Tim Ross, is back with a two-part series on ABC. It’s a chance to bring important architectural issues to a national broadcasting audience.
Inspired by the flow of time and its profound impact on our surroundings, interior and product designer Gavin Harris unveils his latest collection — Circadian with Designer Rugs.
Employee ownership comes in many different forms and there is certainly no one size to fit all. It’s a growing trend, especially in design firms overseas, so Timothy Alouani-Roby spoke to some of those blazing the trail in Australia.
In this comment piece, Lindy Johnson, director of Lindy Johnson Creative, urges architecture to communicate its value. Johnson says that architects are needed more than ever but their value is highly underrated — and that we’re all the poorer for it.
Business operations at the two renowned design firms have officially merged. The news will mean that the newly merged practice will be one of Australia’s largest.
Future X Collective co-founder and managing/creative director at Futurespace, Angela Ferguson, comments on the phenomenon of resenteeism. Good design is at the heart of the solution.
Timothy Alouani-Roby met with Richard Francis-Jones of fjcstudio (previously fjmtstudio) to discuss his timely, provocative and, quite frankly, necessary book on architecture. In this second part of the book review, we turn to the question of what architects can do in the face of crises from climate breakdown to alienation of place.
Signed by the AACA, the UK’s ARB and the NZRAB, this landmark agreement will help architects register and study across the three countries.
The recent signing of free-trade deals in the UK and Australia signals major shakeups for design, architecture, engineering and construction in two hemispheres. Is this a positive sign for local creative sectors or global reputations?