Our recent exhibitor session showed a renewed SID moving towards hospitality, process and more meaningful showroom experiences.
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
With a plethora of talks, installations, exhibitions and happenings responding to this year’s theme (Design The World You Want), the eleven-day festival was the largest to date and arguably the most accomplished since inception.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
Where East Meets West and where leading commercial galleries connect with global audiences in an energetic week of sales, conversations, programmes and cultural exchange.
Cycling culture and heritage seldom converge, yet the AITASHOP flagship in Beijing is a space where both coexist.
From robotics and Blak design to food, furniture and climate-responsive sportswear, Australia’s largest design event will return in May with more than 400 events across Melbourne.
An array of coloured circles overlaid in perfect geometric sequences create a spectrum of musical auras in artist David Sequeira’s Bundanon Art Gallery commission, Form from the Formless (Under Bundanon Stars).
Mexican architecture studio LANZA atelier has been selected to design the Serpentine Pavilion 2026, which will open to the public in London’s Kensington Gardens on 6th June.