Fiona Drago Architect refreshes one of Melbourne’s best-known hotels, balancing heritage character with a more open and contemporary hospitality experience.
June 19th, 2026
The much-loved hospitality venue, O’Connell’s Hotel, has once again opened its doors after an interior redesign that retains the best of the past, enhanced with a contemporary finish.
The renowned South Melbourne hotel was first established in 1876 and over the past 150 years it has been the meeting place for generations of local patrons and a hotbed for innovative chefs. However, with new and dynamic owners, change was in the air with a different business direction that sees not only the regulars welcomed back, but also a new generation of foodies and young families enjoying the updated design and cuisine.

To accomplish the vision of being ‘all things to all people’, Fiona Drago Architect was commissioned to deliver a light design touch for the renovation. She has sensitively renewed the floorplan, ensuring better spatial flow along with a relaxed and comfortable aesthetic.
This hotel has always been a favourite, but with its rebirth there are now extended areas to gather, spaces for one or two and an enlarged bar for a crowd.
Related: Mutual Trust finds a new home in Adelaide

Fiona Drago, principal of her eponymous practice and lead on the project, has introduced an interior palette that is warm and inviting, with tobacco timber, dark-stained counters, beige walls and mocha-toned ceilings. Wainscotting has been renewed and burgundy banquettes are used extensively, while lamplight and hand-blown glass wall sconces bring an air of gentility to the spaces. Fluted glass partitions add transparency and connection as they delineate areas.
“From a material point of view, we developed a palette we call Modern Victorian at The Flying Duck (another hotel owned by the publican and chef), inspired by the vibrant colours and textures of the Victorian era – rich reds and golds. That’s why we have introduced burgundy upholstery and dark-stained timber, while the paint colours are drawn from a heritage palette,” says Drago.

The two original entrances are maintained and there is ample natural light within the bar and adjoining space that offers high tables and stools for patrons. The entry to the previous ground-floor private dining room has been widened and now becomes an extension of the front bar, offering another choice for casual dining and drinking.
At the rear of the floorplan is a more intimate dining room, which has been updated and has capacity for 48 patrons at any one time. In keeping with the refined atmosphere, this area boasts a modern elongated fireplace and walk-in cellar, while a new kitchen pass increases connectivity between chef and diner. It’s a lovely place to enjoy fine cuisine – cosy in winter, calming in summer – and situated away from the general crowd.

Upstairs are three private dining rooms, with two spaces catering to groups of up to 12 and one for 18 people. Art by Australian artists Angela Hawkey, Ella Boylan, Heidi Maunder, Kylie Daniel and Michelle Keighley has been positioned throughout the hotel, with works reflecting the Australian landscape.
Memorabilia from the early days of O’Connell’s has also been strategically placed throughout the venue. In the private dining rooms, restored architectural features are more prominent and the simplicity of the redecoration, while contemporary, speaks beautifully to the hotel’s past.

The outdoors is not forgotten and the terrace, which can accommodate 75 guests, is just the place for a drink or meal in any season, with chairs and tables positioned beneath the trees that line Coventry Street.
“What we’ve aimed to do is create a sense of welcome and openness, encourage more flow through the front areas, and introduce the hotel to other groups in the community, including younger generations and local families,” explains Drago.

While the rejuvenation of O’Connell’s Hotel brings the venue back into the contemporary Melbourne dining scene, Head Chef Michael Conlon and Managing Director Brenton Lang are focused on providing outstanding cuisine and great service. There’s a fine tradition of culinary innovation in the heritage of O’Connell’s, with chefs such as Greg Malouf, Adrian Richardson and Andrew McConnell among its notable alumni.
“The hotel now offers spaces for all seasons and all reasons. You can have a cold beer outside on a summer afternoon or celebrate a milestone birthday in a private dining room upstairs. You can enjoy a memorable meal in the dining room or grab a stool in the front bar to watch the footy. The hotel now has broad appeal,” says Drago.

O’Connell’s has changed with the times and continues to evolve. With this renovation, it is ready for the next decades of community gatherings and good food, building on a rich history while opening its doors to a new generation of patrons.
Fiona Drago Architect
fionadrago.com
Photography
Kate Shanasy


INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
The internet never sleeps! Here's the stuff you might have missed
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.