Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
June 15th, 2026
There’s a point in any project where an idea has to become a buildable thing. A concept needs to be translated, detailed and communicated. And it’s here, more often than not, that the design intent gets diluted – trimmed by value management, flattened into the nearest catalogue equivalent. Klaro Industrial Design sits at the juncture of this, an antidote to commercial furniture.
The Sydney studio operates as a vertically aligned business, designing commercial furniture for interior fitouts while working hand-in-hand with manufacturing. Through this closeness, design is not abstract. Klaro designs for a production ecosystem it understands intimately, which means a piece arrives on site looking how it was drawn on paper.

Founder Alona Klaro describes the studio’s role as that of translation: converting a designer’s vision into “manufacturing language” so the intent survives the journey from concept to completion. For specifiers navigating tight programmes and tighter budgets, Klaro absorbs the friction, offering project-specific outcomes where a standard solution won’t quite do, all with the reassurance of local making.
This is where the brand’s local design and manufacturing relationships earn their keep. Australian production gives Klaro responsiveness – the ability to adapt, prototype and problem-solve in real time rather than waiting on a container. It also functions as a kind of industry insurance: by actively supporting local capability, Klaro helps sustain the very skills designers rely on.


Ethical specification follows naturally from this thinking. Klaro weighs manufacturing origin, materiality, a product’s lifespan and its eventual end. Key throughout the process is balancing budget, design intent and environmental considerations rather than treating sustainability as an add-on. Modularity is also a crucial consideration, and one that’s treated as a core principle, so furniture can be reconfigured and relocated over time rather than discarded – longevity as the most honest form of sustainability.
It’s a philosophy distilled in the brand’s own words: commercial furniture for considered interiors, designed locally, specified thoughtfully, made with intent. For designers who want their projects to survive procurement intact, Klaro offers a rare proposition – a partner who treats the fabrication as part of the design conversation.

Klaro Industrial Design
klarodesign.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
In the crucible of design, the fire of inspiration transforms pragmatic elements into the burnished objects that add a flourish to places and spaces. This is the art of Buster + Punch.
The internet never sleeps! Here's the stuff you might have missed
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.
Our recent exhibitor session showed a renewed SID moving towards hospitality, process and more meaningful showroom experiences.