Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
June 15th, 2026
There’s a point in any project where an idea has to become a buildable thing. A concept needs to be translated, detailed and communicated. And it’s here, more often than not, that the design intent gets diluted – trimmed by value management, flattened into the nearest catalogue equivalent. Klaro Industrial Design sits at the juncture of this, an antidote to commercial furniture.
The Sydney studio operates as a vertically aligned business, designing commercial furniture for interior fitouts while working hand-in-hand with manufacturing. Through this closeness, design is not abstract. Klaro designs for a production ecosystem it understands intimately, which means a piece arrives on site looking how it was drawn on paper.

Founder Alona Klaro describes the studio’s role as that of translation: converting a designer’s vision into “manufacturing language” so the intent survives the journey from concept to completion. For specifiers navigating tight programmes and tighter budgets, Klaro absorbs the friction, offering project-specific outcomes where a standard solution won’t quite do, all with the reassurance of local making.
This is where the brand’s local design and manufacturing relationships earn their keep. Australian production gives Klaro responsiveness – the ability to adapt, prototype and problem-solve in real time rather than waiting on a container. It also functions as a kind of industry insurance: by actively supporting local capability, Klaro helps sustain the very skills designers rely on.


Ethical specification follows naturally from this thinking. Klaro weighs manufacturing origin, materiality, a product’s lifespan and its eventual end. Key throughout the process is balancing budget, design intent and environmental considerations rather than treating sustainability as an add-on. Modularity is also a crucial consideration, and one that’s treated as a core principle, so furniture can be reconfigured and relocated over time rather than discarded – longevity as the most honest form of sustainability.
It’s a philosophy distilled in the brand’s own words: commercial furniture for considered interiors, designed locally, specified thoughtfully, made with intent. For designers who want their projects to survive procurement intact, Klaro offers a rare proposition – a partner who treats the fabrication as part of the design conversation.

Klaro Industrial Design
klarodesign.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
With an in-your-face campaign from the Design Institute of Australia, Write DESIGNER urges every design professional to identify themselves in the upcoming census.
At dedece Sydney, Anna Lenti introduced the Chromatic Alphabet, a new design tool intended to make architects and designers less hesitant about working with colour.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
The internet never sleeps! Here's the stuff you might have missed
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
Following a successful exhibition at San Marco Art Centre (SMAC) in Venice, a retrospective exhibition on the work and life of preeminent Australian architect Harry Seidler is open at the University of Sydney’s Chau Chak Wing Museum.