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‘What a Ripper!’ by comedian and architecture advocate Tim Ross explores Australia’s rich legacy of local product design.
For three-quarters of a century, the iconic Eames Shell Chair has redefined the very act of sitting with its groundbreaking form, proving that, rather than restrict, the right mould can embrace every space, need and individual aspiration.
For Tilt, creating and realising a concept that resonates with people and place makes for exemplary design.
Fine art that informs commercial design has authenticity and soul, and Ross Didier is at the forefront of creativity that is infused with passion.
In Newcastle’s CBD, Coverite Projects transformed a blank floorplate into a workplace with soul, using Milliken flooring to balance industrial grit with residential warmth and intuitive wayfinding.
Pairing his honed expertise with a unique design language, Zachary Frankel is shaping his own world his way.
From preserved boat remains to 8,000-year-old hearthstones with First Nations significance, Tilt Industrial Designs shares how their technical work is often directed towards heritage.
Commercial specification just got more circular thanks to some new finish options for some of Klaro’s most loved pieces.
Geoff Isaac’s book provides industrial designers and manufacturers with the knowledge needed for a transition to sustainable material choices.
Tilt Industrial Design’s work on this Western Sydney logistics hub with Mirvac and SBA Architects stands out for its blending of function and aesthetics.
The Design Institute of Australia (DIA) has announced the induction of eight distinguished designers into its Hall of Fame for 2024.
As Dowel Jones celebrates ten years with events at Geelong Design Week, we get to know more about what makes this enigmatic and celebrated team tick.
