Two decades after it first redefined the classic Chesterfield, B&B Italia’s Tufty-Time returns in a new edition. Tufty-Time 20 refines the original’s comfort, form and flexibility while embedding circularity at its core.
Designed for two distinct contemporary planes, DuO Too and CoALL find common ground in their purposeful, considered articulations, profoundly rooted in the dynamics between humans and the spaces they interact with.
Knoll unveils two compelling chapters in its uncompromising design story: the Perron Pillo Lounge Chair and new material palettes for the Saarinen Pedestal Collection.
From furniture and homewares to lighting, Dirk du Toit’s Melbourne-based studio Dutoit is built on local manufacturing, material restraint and the belief that longevity is central to sustainable design.
At the National Wool Museum, a new exhibition traces the evolution of Godfrey Hirst and its long-standing role in shaping Geelong’s industrial and design identity.
We caught up with Abramo Manfrotto, CEO of Venetian decorative lighting brand LEUCOS, during a visit to Australia with dedece.
Carr’s largest residential project to date integrates concrete, steel mesh and landscape across 122 apartments in Melbourne’s Brunswick.
Type designer Vincent Chan, who delivered a keynote speech with the Powerhouse as part of Sydney Design Week, tells us about the history and importance of this niche profession.
The winners of two major Powerhouse design initiatives – the Holdmark Innovation Award and the Carl Nielsen Design Accelerator – have been announced with the launch of Sydney Design Week 2025.
‘What a Ripper!’ by comedian and architecture advocate Tim Ross explores Australia’s rich legacy of local product design.