Warren and Mahoney has unlocked potential by dialling up the experiential at Dexus Place. As Indesign #86 hits doorsteps, Tamara White gives us a sneak peek into one of this issue’s headline projects.
April 14th, 2022
Situated in the North Tower of 80 Collins Street in Melbourne’s CBD, Dexus Place centres on breathing new life into an existing, built structure, and also provided Warren and Mahoney with the chance to showcase what is truly possible within a constrained space. In this project, it was about finding innovation within limitations and unlocking potential by dialling up the experiential.
With a broad portfolio across Melbourne, Sydney, Perth and Brisbane, Dexus was eager to provide its existing clients with additional, flexible amenities to enhance their workplace experience and help cater to their growing needs. Dexus Place would also have the job of attracting new business – with parts of the new facility intended for public hire.
The address comprises two buildings – the newer South Tower and the original North Tower. As is expected with developments, the older tower possesses the charisma of its age but is not as polished as its contemporary, newer twin. As we embarked on our design process, we observed the shiny fresh South Tower that felt very ‘Clark Kent’: logical, suited and booted. But the North Tower possessed the power and potential to be his alter ego: ‘Superman’.
This project is featured in Indesign #86, The ‘Hybrid At Work’ Issue – order your issue here.

Warren and Mahoney’s central belief in workplace design is to approach a project with equal parts emotional intelligence and logical data-driven intelligence.
We wrote our creative brief in collaboration with Dexus and the key themes that underpinned the design were: universal, intuitive, visionary, memorable, hospitable and flexible. These themes cover a blend of performance and experience and, in consideration with identified constraints and opportunities, saw us land on the idea of the ‘Alter Ego’.
This central idea then informed the planning strategy and drove a design language that would create a memorable sequence of spaces. The Alter Ego centres around being contrary yet complementary, providing differences through extremes of experience.

We embraced the fact that Dexus Place would be located at the lower levels of the tower – a very urban context – and we drew from that. The lower levels of the building were quite dark and the ceiling height was low, which we sought to address by exposing it.
The building has limited natural light, so we introduced a bold stair between the three stories, which amplifies light over the volume. Clad in rippled steel with a large prismatic ceiling above and a dramatic three-storey drop of sheer curtains, the stair diffuses, reflects and refracts light in the space.
The consistency applied across all locations within Dexus Place is boldness and confidence. The extremes are visible, tangible and unapologetic. It is a total commitment to a sensory experience.

The mood is set with altering hues that adapt alongside users’ needs. When populated with events – the shared spaces will carry the buzz through the community. But as you move through defined thresholds, it becomes quieter, calmer – more independent work feels natural. As you move to the social spaces, the drama only intensifies further, encouraging connectivity.
Setting an entirely different tone is the Terrace, which has a strong health and wellbeing focus, looking out into the treetops on Collins Street. It provides customers the opportunity for time out, connecting to nature, focus work, as well as social gatherings, and is an extension of the function and hosting spaces.

Dexus Place needed to deliver functionality through ease of connecting, optimal acoustics and spatial flexibility. A key element to this was the ability to scale suite and meeting room sizing. We looked at multiple planning scenarios to design for ease of change. We planned and designed modular ‘sacrificial’ walls that can easily be removed or reinstated quickly and cost-effectively. The suites can adapt to accommodate between four to 44 people. Technology, furniture and acoustic performance are all designed to support any reconfiguration seamlessly.
Working within the existing building’s constructs, we took on the ambition of our market-leading client and set out to build the workplace we all desire but may have lacked the courage to execute. And within the heart of urban Melbourne, we’ve created an immersive lifestyle experience. One that demonstrates Dexus Place not only provides an optimised shared workspace service but also a place of creativity where its customers will find inspiration to thrive.
Warren and Mahoney
warrenandmahoney.com




This project is featured in Indesign #86, The ‘Hybrid At Work’ Issue. Order your issue now.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
The latest print magazine is about to arrive! In this issue, Guest Editor Andrew Tu’inukuafe & Barrington Gohns of Warren and Mahoney push us to think, consider and collaborate.
At a packed awards night in Melbourne, the design community from all corners of the Asia-Pacific region came together to celebrate an incredible range of winners.
The internet never sleeps! Here's the stuff you might have missed
For emerging Melbourne practice CARD, architecture is grounded in authenticity, responsiveness and collaboration, with a focus on robust materials, practical thinking and the realities of everyday life.
At dedece Sydney, Anna Lenti introduced the Chromatic Alphabet, a new design tool intended to make architects and designers less hesitant about working with colour.