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Designed with Made For, Wildflower’s Melbourne office uses a restrained material palette, bold colour and curated furniture to create a workplace that reflects the company’s approach to interiors.
A recent gathering hosted by Wilkhahn brought designers together to discuss flexibility, technology and the changing role of the workplace.
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
Returning to Melbourne this month, Australia’s official Passivhaus conference THRIVE turns its attention to the commercial case for high-performance building.
FK hosted a standout Melbourne Design Week event with a panel on adaptive reuse and renewable real estate at 500 Bourke, featuring previous contributor Nicky Drobis and our editor as moderator.
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Inside La Marzocco Sydney, Open Creative Studio has turned a Botany warehouse into a flexible showroom, training space and events venue — one that understands coffee culture as both technical craft and social ritual.
As Snøhetta marks ten years of permanent presence in Australia, co-founder Kjetil Trædal Thorsen reflects on Country, civic generosity, regenerative design and why architecture must keep imagining “memories of the future.”
