BVN’s redesign of this heritage site has created a new city campus in Brisbane featuring a varied range of functional spaces and long-term flexibility.
January 25th, 2024
The University of Queensland (UQ) purchased state heritage-listed 308 Queen Street and 88 Creek Street in 2019, and its functional intentions were clear from the start: to establish its first official city campus. This came, of course, with the most functional of demands for teaching and creative spaces, but it also represented a place to bring together students, staff, alumni and the wider community.
BVN’s approach centres on adaptive reuse in a building that has in fact three distinct layers of history. A 2008 annexe addition, designed by Donovan Hill, provides 450-metre open floor plates, while 308 Queen Street is a fine example of late nineteenth-century architecture that originally housed the National Australia Bank.

The oldest part of the site is now defined by a series of differentiated spaces designed to enhance the uniqueness of each setting. BVN principal, Brian Donovan, explains: “Essentially, we were able to leverage the heritage qualities of the building as well as the opportunities of the contemporary annexe to inform a characteristic architectural and interior design response. The brief sought a space that would engage and bring people together, and create communal areas to support teaching, learning, and postgraduate workshops and engagement. A fundament of that idea is to have variable spaces and choices for how they are to be occupied — the building facilitates that superbly.”
Three types of spaces are used as the organisational devices to meet the brief’s functional requirements: Teaching Suites, Creative Suites and Engagement Spaces. The latter includes the primary gathering space located in the original banking chamber and, as Donovan notes, features “highly flexible furnishing arrangements conceived to facilitate a wide range of uses – concierge arrival, individual study, group meetings and intimate gatherings along with major speaking and engagement events.”

Above this arrival space are a set of heritage-listed rooms that have been newly adapted into contemporary Creative Suites, while the third type of space is the open floor plate with an emphasis on flexibility.
Just as adaptive reuse aims at a balance between the old and new, BVN’s project at UQ has designed spaces to be unique and differentiated at the same time as encouraging wider user engagement. Its city centre location allows for a certain cross-pollination as a variety of users come and go.
Related: Yarrila Place by BVN

“The original intent of the project was to create a space that would be accessible and engaging for its community,” says Donovan. “When I walk through the campus I see many different types of people, from younger students to elderly people, partners and alumni. We can see that the areas of the building that are open to the extended university community are genuinely being used as another communal space in the city, and by a diverse range of people — in my mind, that constitutes success.”

Illustrating the rich experiences on offer at the new UQ Brisbane City, Donovan concludes: “Our approach aimed to demonstrate how the vision [to design a space fostering engagement between students, staff, partners and alumni] could be brought to fruition through leveraging the opportunities that were already occurring inside the building – such as the utilisation of the more flexible, universal spaces within the annexe alongside the beauty and specificity of the heritage-listed rooms.”
BVN
bvn.com.au
Photography
David Chatfield









We think you might also like this project feature on Midtown Workplace by Cox Architecture.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
As Snøhetta marks ten years of permanent presence in Australia, co-founder Kjetil Trædal Thorsen reflects on Country, civic generosity, regenerative design and why architecture must keep imagining “memories of the future.”
AFK Studios’ Earle Arney joined STORIESINDESIGN podcast last year to speak about SyLon. Here, we reproduce a summary on a recent report with NLA that builds on research into housing as infrastructure amidst a landscape of housing crisis.
The internet never sleeps! Here's the stuff you might have missed
The latest print magazine is about to arrive! With Domenic Alvaro, Global Director at Woods Bagot, in the role of Guest Editor, the issue is feast of architectural wonders, cultural icons, and astounding products and furniture, lighting, and ideas.
Gold Coast-based photographer Tanika Blair brings an interior design eye to her work, capturing architecture through light, feeling and a strong sense of story.