Architectus has delivered Perth’s new Ruah Centre for Women and Children (RCWC), the first purpose-built facility of its kind in Australia for women and children affected by family and domestic violence.
January 10th, 2025
Description provided by designers.
RCWC is a seven-storey facility in Northbridge is designed to be a safe sanctuary for recovery and healing. It is home to the Karlup Service, a specialised healing and recovery service for women and children affected by FDV. Karlup is a Noongar Aboriginal word meaning ‘a place where you belong and feel safe.’ The centre provides a range of holistic support services including counselling, physical and mental health, alcohol and other drug support, legal aid, education and accommodation. By consolidating comprehensive services in one location, the risk of re-traumatisation is minimised, enabling a more streamlined path to recovery.
The Centre has been purposefully designed to meet the diverse needs of women and children at various stages of their healing journeys. Recognising that First Nations women are 32 times more likely to be hospitalised due to family violence, their needs have been a primary focus in both the design of the Centre and the services provided.

Ruah will pair each client with a Koorta Guide, a ‘trusted friend’ in Noongar, who will provide personalised support and guidance throughout their recovery. This approach fosters a culturally safe and supportive environment for healing and thoughtfully integrates First Nations cultural principles to create a sense of comfort, safety and belonging.
“The design approach began with women and children at its heart,” said Architectus Principal, Mark Black. “This building has been designed with the human experience at its core; it is community-focused and will make a remarkable difference to many lives. We’re very proud to have collaborated with Ruah Community Services in creating a beautiful, welcoming and generous Centre that sets a new benchmark for future facilities of support and empowerment for women and their families seeking to rebuild their lives from domestic violence.”
The building features a refined pleated façade, referencing the sawtooth industrial buildings of the neighbourhood. It is designed to make the Centre feel calm and welcoming on arrival. Situated in a busy district of Perth, the building features high-performance glazing to meet stringent acoustic and energy efficiency requirements. It also incorporates reused materials, salvaged from the original building on the site including old jarrah trusses.
Related: Restoring Africa Hall in Ethiopia

The interior architecture is designed to be intuitive, with a calming nature-inspired palette, helping users feel at home and navigate the different spaces. Long-term flexibility and adaptability of the building across its lifecycle have also been carefully considered. Equal and consistent facade fin spacing adds to this flexibility, allowing the building to adapt to future changes without compromising functional integrity. The circulation paths within the building create safe and seamless transitions between public and private areas.
Informed by the outcomes of an extensive stakeholder and user-group engagement process facilitated by Ruah, all spaces are designed to foster a sense of community and harmony between staff, residents and clients.
RCWC opened in October 2024 and is expected to support 600 women and children each year.
Architectus
architectus.com.au
Photography
Dion Robeson









INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
For emerging Melbourne practice CARD, architecture is grounded in authenticity, responsiveness and collaboration, with a focus on robust materials, practical thinking and the realities of everyday life.
As the Living Cities Forum returns to Sydney and Melbourne this August, Kundoo — appearing alongside international speakers such as Finn Williams and Ludwig Engel — tells us about time, abundance and care in her work.
The internet never sleeps! Here's the stuff you might have missed
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.
Daniel Boddam’s new Bronte showroom is also his home. By inviting clients into the spaces where he actually lives with his furniture, the designer offers a more intimate way to experience design.