Architectus has delivered Perth’s new Ruah Centre for Women and Children (RCWC), the first purpose-built facility of its kind in Australia for women and children affected by family and domestic violence.
January 10th, 2025
Description provided by designers.
RCWC is a seven-storey facility in Northbridge is designed to be a safe sanctuary for recovery and healing. It is home to the Karlup Service, a specialised healing and recovery service for women and children affected by FDV. Karlup is a Noongar Aboriginal word meaning ‘a place where you belong and feel safe.’ The centre provides a range of holistic support services including counselling, physical and mental health, alcohol and other drug support, legal aid, education and accommodation. By consolidating comprehensive services in one location, the risk of re-traumatisation is minimised, enabling a more streamlined path to recovery.
The Centre has been purposefully designed to meet the diverse needs of women and children at various stages of their healing journeys. Recognising that First Nations women are 32 times more likely to be hospitalised due to family violence, their needs have been a primary focus in both the design of the Centre and the services provided.

Ruah will pair each client with a Koorta Guide, a ‘trusted friend’ in Noongar, who will provide personalised support and guidance throughout their recovery. This approach fosters a culturally safe and supportive environment for healing and thoughtfully integrates First Nations cultural principles to create a sense of comfort, safety and belonging.
“The design approach began with women and children at its heart,” said Architectus Principal, Mark Black. “This building has been designed with the human experience at its core; it is community-focused and will make a remarkable difference to many lives. We’re very proud to have collaborated with Ruah Community Services in creating a beautiful, welcoming and generous Centre that sets a new benchmark for future facilities of support and empowerment for women and their families seeking to rebuild their lives from domestic violence.”
The building features a refined pleated façade, referencing the sawtooth industrial buildings of the neighbourhood. It is designed to make the Centre feel calm and welcoming on arrival. Situated in a busy district of Perth, the building features high-performance glazing to meet stringent acoustic and energy efficiency requirements. It also incorporates reused materials, salvaged from the original building on the site including old jarrah trusses.
Related: Restoring Africa Hall in Ethiopia

The interior architecture is designed to be intuitive, with a calming nature-inspired palette, helping users feel at home and navigate the different spaces. Long-term flexibility and adaptability of the building across its lifecycle have also been carefully considered. Equal and consistent facade fin spacing adds to this flexibility, allowing the building to adapt to future changes without compromising functional integrity. The circulation paths within the building create safe and seamless transitions between public and private areas.
Informed by the outcomes of an extensive stakeholder and user-group engagement process facilitated by Ruah, all spaces are designed to foster a sense of community and harmony between staff, residents and clients.
RCWC opened in October 2024 and is expected to support 600 women and children each year.
Architectus
architectus.com.au
Photography
Dion Robeson









INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Recently in Australia as plans for the first new cathedral in over a century in Sydney were announced, Níall McLaughlin met Timothy Alouani-Roby during his visit to discuss community, tradition, inspiration and the history of architecture.
Tamara Veltre, director at Breathe, reflects on the studio’s collaboration with Haymes Paint — a deliberately reduced, architect-designed palette that reframes colour as part of architecture, not an afterthought.
The internet never sleeps! Here's the stuff you might have missed
In the crucible of design, the fire of inspiration transforms pragmatic elements into the burnished objects that add a flourish to places and spaces. This is the art of Buster + Punch.