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Abbotsford Convent has appointed Kennedy Nolan to guide the next stage of development at the heritage-listed Melbourne precinct, continuing its evolution as a cultural and community landmark.
Several design groups are coming together on 29th October, 2025 for ‘grounded,’ a day of talks and workshops on Country-centred design.
Developed by an all-First Nations curatorial and creative team, the Australia Pavilion at the Venice Architecture Biennale has officially opened.
The 2025 Osaka World Expo 2025 is well and truly open, with Buchan’s Pavilion representing Australia on the global stage.
Dr Michael Mossman and Jack Gillmer-Lilley, two of the Creative Directors for the 2025 Australia Pavilion, join us for an in-person podcast to discuss their project, HOME, and Indigenising the built environment.
Aunty Agnes Shea High School acknowledges historical connections to Country while providing a framework for future generations to engage with First Nations knowledge and traditions.
In Western Sydney, Hassell’s First Building for Bradfield City Centre aims to be regenerative, adaptable and connected to First Nations culture.
Yerrabingin CEO Christian Hampson on how the concept is maturing and the overlap with fundamental design principles, as well as some pitfalls to avoid.
Architectus has delivered Perth’s new Ruah Centre for Women and Children (RCWC), the first purpose-built facility of its kind in Australia for women and children affected by family and domestic violence.
With her recent registration, Tiana Furner is among the first cohort of Indigenous women registered as architects in Queensland and indeed Australia.
UNSW Galleries is set to host ‘barangga: First Nations Design Gathering,’ a two-day event focused on integrating Country into public art on October 25-26th.
Architectus elevates Flinders University’s Adelaide presence with a culturally resonant vertical campus, amalgamating advanced learning environments with industry integration and community engagement.
