In Western Sydney, Hassell’s First Building for Bradfield City Centre aims to be regenerative, adaptable and connected to First Nations culture.
March 3rd, 2025
Designed by international multidisciplinary design firm Hassell, the First Building, housing Stage 1 of the Advanced Manufacturing Readiness Facility (AMRF), is designed to foster innovation through its adaptability, design circularity and connection to Country.
As the first completed building in Australia’s first new city in 100 years and part of the New South Wales State Government’s vision for a dynamic future in advanced manufacturing and innovation, it’s a unique workplace for innovative manufacturing projects.
Djinjama, the First Nations cultural research and design agency, has centred Country by way of connection between built and natural environments. Colour palette and materials are at the centre of this blurring of natural and built boundaries, with natural materials such as rammed earth and recycled tiles featuring. More generally, the project is inspired by the Cumberland Plain and the area’s natural waterways, leading to the design of an open structure with an emphasis on being inviting for visitors. It’s also surrounded by green gathering spaces.
“As Bradfield City Centre takes shape, the First Building is a bold statement about what’s possible,” says Liz Westgarth, Hassell Managing Director and Principal in Charge of the project. “It sets a strong benchmark for how Bradfield will develop – great design, sustainable and honouring Country. It’s more than a building — it’s a living example of how we can transform our cities and our lives.”
Related: Balarinji on designing with Country
“The First Building proves that you can innovate, that you can create something extraordinary for a public, government project. It’s time to move forward, to embrace new ideas and to show that sustainability and great design belong together. And the First Building is our proof.”
The project is also notable for the modular approach underpinning the architecture. It has been conceived as a ‘kit of parts,’ part of a design-for-disassembly approach that means it can be expanded or even relocated.
For Hassell, it’s about the principles of circularity and adaptability: “A kit-of-parts construction that can be reconfigured and reused ensures the building’s longevity and responsiveness to Bradfield’s future needs, representing the city’s commitment to adaptability and circularity,” explains Westgarth.
Ken Morrison, CEO Bradfield Development Authority and AMRF Chair adds: “Bradfield City Centre is one of the biggest economic development projects ever undertaken in Australia. The First Building’s innovative design sets the benchmark for a vibrant, modern city that will build a stronger future for Western Sydney. We’ve made ambitious commitments to sustainability and resilience in Bradfield. First Building, designed to address climate impacts now and into the future, is just the beginning.”
Hassell
hassellstudio.com
Djinjama
djinjama.com
Photography
Mark Syke and Vinchy Wu
Explore designing with Country with Yerrabingin’s Christian Hampson
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
A curated exhibition in Frederiksstaden captures the spirit of Australian design
For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.
London-based design duo Raw Edges have joined forces with Established & Sons and Tongue & Groove to introduce Wall to Wall – a hand-stained, “living collection” that transforms parquet flooring into a canvas of colour, pattern, and possibility.
Designed by DKO, the latest Ingenia Lifestyle Element resident clubhouses at Fullerton Cove and Natura at Port Stephens focus on the lifestyle needs of a changing over-55s demographic.
Curated by the Indesign editorial team and hosted at leading showrooms, the Design Discussions series provided thoughtful reflection and debate on key issues shaping the industry.
With the inaugural Glenn Murcutt Symposium set to take place in Sydney in September 2025, Pritzker Prize-winner Francis Kéré receives the Murcutt Pin.
Despite its long and rich history, signwriting is a profession in decline. Will Lynes’ new show, Oily Water at Canberra Glassworks, aims to showcase the techniques of the trade to highlight its potential in design.
The internet never sleeps! Here's the stuff you might have missed
As a supporter of the 2025 INDE.Awards, COLORBOND® steel recognises the importance of the next generation of architects who are leading the way in creativity and innovation to help design and sustain our future.
Now in their 19th year, the Architecture & Design Sustainability Awards are Australia’s leading program dedicated to recognising innovation and excellence in sustainable architecture and design.
The independent Master Jury of the 16th Award Cycle (2023-2025) has selected seven winning projects from China to Palestine.
For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.