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A collaboration of creatives led by Sam Crawford Architects has produced a concept for the ultimate on-Country experience that both respects and sensitively interacts with the landscape.
Reuse, resourcefulness and material transformations bring unexpected stories to Arup’s new Brisbane office, designed by Hassell.
A major new permanent public artwork by Dharawal and Yuin artist Alison Page has been commissioned by Lendlease.
From preserved boat remains to 8,000-year-old hearthstones with First Nations significance, Tilt Industrial Designs shares how their technical work is often directed towards heritage.
Developed by an all-First Nations curatorial and creative team, the Australia Pavilion at the Venice Architecture Biennale has officially opened.
The 2025 Osaka World Expo 2025 is well and truly open, with Buchan’s Pavilion representing Australia on the global stage.
Designed with culture and meaning, Casuarina Pavilion is a jewel in the crown of Melbourne city and a place where everyone can come together to celebrate Country.
Kerrie Shepherd is a Kamilaroi woman and Principal of Connecting with Country at Aboriginal-owned urban design company Yerrabingin, drawing on extensive lived experience with First Nations communities.
Dr Michael Mossman and Jack Gillmer-Lilley, two of the Creative Directors for the 2025 Australia Pavilion, join us for an in-person podcast to discuss their project, HOME, and Indigenising the built environment.
Aunty Agnes Shea High School acknowledges historical connections to Country while providing a framework for future generations to engage with First Nations knowledge and traditions.
In Western Sydney, Hassell’s First Building for Bradfield City Centre aims to be regenerative, adaptable and connected to First Nations culture.
Yerrabingin CEO Christian Hampson on how the concept is maturing and the overlap with fundamental design principles, as well as some pitfalls to avoid.
