Artedomus is Australia’s leading supplier of unique, high quality stone, tiles, architectural surfaces, bathware and furniture for commercial and residential architectural projects.
Founded in 1985 as Domus Ceramics, the company was built to import exclusive Italian floor and wall finishes to Australia with a focus on sourcing unique products that have a simple and natural intrinsic beauty; shunning short term fashion and trends. As a result with this philosophy and outstanding product offering; Domus soon became a source of reference and inspiration for leading architects and designers.
Click the locations below for more information on each showroom.
Artedomus is Australia’s leading supplier of unique, high quality stone, tiles, architectural surfaces, bathware and furniture for commercial and residential architectural projects.
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The Project is that moment when you enter a showroom and find yourself overwhelmed with surprise, excitement, joy and the urge to Instagram – right away! This year, at Melbourne Indesign we saw exhibitors approach The Project from all angles – the common element among all being collaborative engagement.
Want to know what made the spec’ schedule for all our featured projects?
A quick peek around Flack Studio’s new space in Fitzroy reveals no white boxy surfaces. Instead, the former electroplating factory is the outer embodiment of the inner workings of founder, David Flack’s mind. Or in other words, an outward look in to rethink the conventional design studio.
Design that reflects its local environment is a huge focus for practising architects and designers, and Sydney’s Barangaroo development is a hotbed for this kind of thinking. Gilbert + Tobin’s new Barangaroo workplace, designed by Woods Bagot, draws inspiration from the rich history and landscape of the site, while nestling nicely into Sydney’s new commercial identity.
What happens when private business goes public – in a commercial design sense, that is? Brisbane’s most recent commercial addition, 480 Queen Street by BVN, is designed to create a sense of community inclusiveness. It’s a new-think approach to the traditional public-versus-private model.
In an era where technology and the ‘digerati’ rules all, we feel a strong need to make close online connections with the world at large. But how does this sense of connectivity and community translate to the physical workplace, and by extension, its design? In Jemena’s new Melbourne headquaters, seven floors and 800+ people have offered up a juicy challenge in exploring how design might create a sense of communal familiarity in a large-scale environment.
