Dr Michael Mossman and Jack Gillmer-Lilley, two of the Creative Directors for the 2025 Australia Pavilion, join us for an in-person podcast to discuss their project, HOME, and Indigenising the built environment.
March 19th, 2025
Listen to the episode on Apple Podcasts or on Spotify
Ahead of their journey to Europe for the 2025 Venice Architecture Biennale, we were delighted to welcome two members of Australia’s ‘Creative Sphere,’ a team of First Nations architects, designers and leading academics. Dr Michael Mossman is a Kuku Yalanji man and architect who lectures and researches at the University of Sydney School of Architecture Design and Planning; alongside him, Jack Gillmer-Lilley is a Worimi and Biripi Guri man as well as associate and First Nations lead at SJB Architecture, Sydney.
Michael and Jack are Creative Directors alongside Emily McDaniel (above, middle), a Wiradjuri woman from the Kalari (Lachlan River) and a Professor of Practice in the School of Architecture at the University of Technology, Sydney. The pair joined Timothy Alouani-Roby at The Commons in Sydney for this podcast episode, recorded in March 2025 – just months before the Venice Biennale begins.



Meanwhile, the wider team includes four other Creative Sphere members. Kaylie Salvatori is a Saltwater Yuin Woman living and working on Gundungurra and Dharug lands, and a landscape architect and founding director of COLA Studio (Country Oriented Landscape Architecture). Clarence Slockee from the Mindjingbal/Cudgenburra clan of the Bundjalung Nation on the NSW far north coast is an accomplished musician and dancer, and Director of Jiwah. Elle Davidson is a Balanggarra woman from the East Kimberley with family connections to Captain William Bligh. Finally, Bradley Kerr is a Quandamooka man and architect living, working and learning on Wurundjeri Country, and Director of Naarm-based architecture and design studio Winsor Kerr as well as curator and chair of the Australian Institute of Architects’ First Nations Advisory Committee.


The 19th International Architecture Exhibition at the Venice Biennale will be held from Saturday 10th May to Sunday 23rd November 2025. A prototype construction of HOME was recently created with rammed earth at the University of Sydney, and it will be recreated in Venice before the exhibition then returns to Australia.
In the podcast episode, Michael and Jack share their personal journeys in architecture and discuss the question of Indigenising the built environment. They intriguingly describe the Venice project as being much broader in concept than the usual professional understandings of architecture. Instead, the project centres story-telling and the personal meaning of home. Above all, the Pavilion aims to give form to the idea of yarning and sharing.
Listen to the episode here on Apple Podcasts or on Spotify


Photography
Maclay Heriot, Jack Gillmer-Lilley, Matthew Venables, Hannah Walker


Listen to Sandy Anghie and David Smith from Perth Design Week
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.
The internet never sleeps! Here's the stuff you might have missed
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.