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Several design groups are coming together on 29th October, 2025 for ‘grounded,’ a day of talks and workshops on Country-centred design.
In this comment piece, COX Principal David Holm reflects on Carlo Ratti’s curatorship in which climate, colonisation and gender equity took centre stage at the Venice Biennale.
NGV exhibition ‘Making Good: Redesigning the Everyday’ is open – and be prepared to be amazed and delighted by great creative design.
Despite its long and rich history, signwriting is a profession in decline. Will Lynes’ new show, Oily Water at Canberra Glassworks, aims to showcase the techniques of the trade to highlight its potential in design.
Wonderstruck is currently on view at the Queensland Art Gallery | Gallery of Modern Art (QAGOMA), an exuberant statement of flamboyant possibilities.
‘Breathing Helps’ is a major solo exhibition bringing together Nolan’s large-scale works with new commissions and performances.
Designed by artist Abdul Abdullah, the porcelain façade for this Melbourne train station has been executed with custom-printed Fiandre DYS panels.
Fine art that informs commercial design has authenticity and soul, and Ross Didier is at the forefront of creativity that is infused with passion.
The Melbourne-based artist works at the intersection of art and architecture. In a new exhibition at MAGMA Galleries, he turns his focus on urban space and agency to a smaller scale.
A major new permanent public artwork by Dharawal and Yuin artist Alison Page has been commissioned by Lendlease.
On the eve of Cerith Wyn Evans’ first museum exhibition in the Asia-Pacific region, we interviewed the internationally acclaimed contemporary artist in a wide-ranging discussion spanning Japanese gardens, the aesthetics of Buddhism and the Australian light.
Taking cues from Harry Seidler’s materials and curving corridors as well as luxury hotels and hospitality design, GroupGSA has completed a new suite of offices in Sydney.
