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Chus Martínez and Nguyen Le reflect on the importance of exhibition design as their own show – ‘A velvet ant, a flower and a bird’ – runs at the Potter Museum of Art.
An array of coloured circles overlaid in perfect geometric sequences create a spectrum of musical auras in artist David Sequeira’s Bundanon Art Gallery commission, Form from the Formless (Under Bundanon Stars).
On Australia’s deeply contested national day, 680 Australians were recognised in the General Division of the 2026 Order of Australia Honours.
Designed by Woods Bagot, the new fit-out of a major resources company transforms 40,000-square-metres across 19 levels into interconnected villages that celebrate Western Australia’s diverse terrain.
The Australian Design Centre (ADC) has announced that the organisation can no longer continue without adequate government funding to cover operational costs.
Several design groups are coming together on 29th October, 2025 for ‘grounded,’ a day of talks and workshops on Country-centred design.
In this comment piece, COX Principal David Holm reflects on Carlo Ratti’s curatorship in which climate, colonisation and gender equity took centre stage at the Venice Biennale.
NGV exhibition ‘Making Good: Redesigning the Everyday’ is open – and be prepared to be amazed and delighted by great creative design.
Despite its long and rich history, signwriting is a profession in decline. Will Lynes’ new show, Oily Water at Canberra Glassworks, aims to showcase the techniques of the trade to highlight its potential in design.
Wonderstruck is currently on view at the Queensland Art Gallery | Gallery of Modern Art (QAGOMA), an exuberant statement of flamboyant possibilities.
‘Breathing Helps’ is a major solo exhibition bringing together Nolan’s large-scale works with new commissions and performances.
Designed by artist Abdul Abdullah, the porcelain façade for this Melbourne train station has been executed with custom-printed Fiandre DYS panels.
