In Benjamin Hubert’s world, having talent and vision is one thing, but to have empathy – that’s where the hard work begins. Hubert has devoted his practice and studio, Layer, to intimately understanding what users really need.
Benjamin Hubert is by no means a new player in design, having established his eponymous studio almost 20 years ago. Within this time the London-based industrial designer has built an impressive portfolio peppered with collaborations alongside industry giants including Herman Miller, Nike and BMW.
When he re-branded to become Layer in 2015 it was more than just a name change. The new identity signalled a consolidation of the multi-disciplinary practice’s many arms, all of which is underscored by an experience-based design methodology.
Hubert and his 21-member team are people-focused and their projects are developed with a view to improving the end user’s life.
“We want to understand the way people are living now and how they’ll be living in the future because we want to make people feel happy and healthy, both mentally and physically. So everything we do is lifestyle-driven rather than performance-driven,” he says.
This genuinely human-centric approach allows Hubert to personalise market research to get the best design outcome possible. He’s dismayed that so many of the tools and instruments used in everyday life aren’t fit for purpose and he’s on a mission to change that.
By conducting extensive interviews, workshops and brainstorming sessions on a project-by-project basis, Hubert gathers insights into what the end user needs and how best to accommodate it.
The process was particularly effective in determining products that make up the recently launched electronic accessories brand Nolii by Layer (in collaboration with entrepreneur Asad Hamir).
Each of the collection’s five items is designed to streamline the use of personal devices, effectively ridding the need for numerous plugs and cables, which can become messy. Stack, for example, provides power for a smartphone, laptop and tablet simultaneously. Couple is a phone case with a clip section to which other electronic accessories can be attached.
The products are slick and sophisticated in appearance and their intuitive functionality makes the experience of using technology that much easier.
As Hubert explains, “We’re interested in making sure design is a really powerful tool for people who use it and for business too. You can do that with a single product; you can do that with a piece of branding, but the most meaningful way of doing it is by creating a whole experience.”
Along with designing the actual products, Layer was also responsible for creating Nolii’s digital platform, branding and art direction. The resulting solution is a holistic one and makes for strong market impact because the user experience is cohesive from beginning to end.
Hubert doesn’t overlook anything and his attention to detail is acute. It’s a standard he applies across all collaborations, including the recent update to Layer’s existing Cradle range for Moroso.
New chairs and a room-divider feature a stretch mesh material – made using digital knitting techniques – that extends across a lightweight, easy-to-manufacture metal framework. The material’s functionality is programmed into the three-dimensionality of the knit and while it offers good support, its elasticity means the level of comfort achieved is akin to relaxing in a hammock.
Utilising innovative digital techniques appeals to Hubert because it’s a no-waste process, in keeping with Layer’s ethos of delivering intelligently designed objects and products with minimal environmental impact.
Axyl for Allermuir – available throughout Asia Pacific thanks to Zenith – is the studio’s latest collection, comprising furniture made from recycled materials. Each piece is characteristically clean and bold in form and by choosing to use say, recycled aluminium over new aluminium for the chair’s Y-frame, the amount of energy expended during production is dramatically reduced.
Hubert and his team are currently working on a number of major projects that promise to improve their respective sectors. These include using digital platforms to change the future of sports information, addressing transport issues by rethinking the experience for airline passengers and evolving the mobile communication experience.
Most importantly, Hubert continues to ensure all disciplines within his studio are working well together to deliver outstanding results. “We’re not interested in being a Jack-of-all-trades,” he says. “We’re interested in making the complete experience the best it can be.”
This article originally appeared in issue #72 of Indesign magazine, The Work/Life issue.
–
To catch other stories like this, sign up for our newsletter.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
The internet never sleeps! Here's the stuff you might have missed
A recent Design Talk Series event presented by Royal Oak Floors saw Melbourne-based interior designer, and founder and principal of Mim Design, Miriam Fanning in live conversation with our editor.
What does home mean to us and how does it shape the way we live? These questions and more will be the focus for the second Sydney Open Symposium on Saturday 23rd and Sunday 24th May, 2026.
Inside La Marzocco Sydney, Open Creative Studio has turned a Botany warehouse into a flexible showroom, training space and events venue — one that understands coffee culture as both technical craft and social ritual.
As part of our ongoing series of intimate editorial dinners with Signature Appliances, we recently gathered a group of architects, designers and industry voices in Sydney for a private conversation around one of design’s most persistent questions: can everyone have access to great design and beautiful spaces?