What exactly does a theatre consultant do, and why are they an important part of designing the spaces in which we tell the most dramatic stories? Charcoalblue’s Erin Shepherd tells us more.
Designed by Blight Rayner Architecture in partnership with Snøhetta, the Glasshouse Theatre is a rippling glass landmark that connects Brisbane’s public life with the performing arts.
After a decade without a theatre, New Zealand’s Kirikiriroa Hamilton opens the doors to BNZ Theatre, designed by Jasmax in consultation with Charcoalblue.
COX Architecture and Yerrabingin reveal the design for Canberra Lyric Theatre — a world-class, inclusive venue for the nation’s capital.
In his seminal essay, Stéphane Mallarmé famously wrote: “Everything in the world exists to end up as a book.” Wutopia Lab embraced this ideal, conceiving Shanghai Book City as, quite literally, a vertical city made of books.
Neri&Hu’s design for the Cultural Arena at New Bund 31 Performing Arts Center makes a strong impression through differentiated spaces.
The India International Convention Centre was designed by CP Kukreja Architects as a multipurpose urban development, paying homage to traditional Indian culture and modern design principles.
In this comment piece, Hayball’s Owen West, David Tweedie and Emma Parkinson make the case for an important dimension of education design.
CKDS has created distinctive new office space in Newcastle’s CBD following the adaptive reuse of what was previously a theatre.
From high school theatre buff to accomplished architect, Mark Raggatt reveals what drew him to his career, and outlines what his practice hopes to achieve as it expands into NSW.