The National Taichung Theatre in Taiwan was conceived by Toyo Ito & Associates as an integrated spatial-structural system that provides a sense of nature’s dynamism.
In 2016, Toyo Ito saw the realisation of an 11-year-long dream. The completion of the National Taichung Theater building (with local architect Da-Ju Architects and Associates) has introduced a new environment to the people of Taichung city – an extension of the adjacent recreational park into a complex and intricate interior shaped by a continuously curved structure that has been dubbed the ‘Sound Cave’.
Financed by the Taichung City Government, the building is an integrated spatial-structural system that provides a sense of nature’s dynamism. It draws people through a perpetually emergent network of openings, conveying them upwards with the curving currents of staircases, and transferring them out onto a rooftop landscape of abstract peaks and valleys. Ito perceives the continuous route that connects the ground-level city garden to the rooftop as “a pleasant walking trail in the park.”
The ‘Sound Cave’ consists of a Grand Theatre (seating 2007 people), a Play House (seating 800) and a Black Box theatre (seating 200), with equally captivating circulation spaces as well as shops, a restaurant and a gallery area. The beamless structure of curved walls, merging into floors and ceilings, creates spaces where, by Ito’s account, “light and sound travel fluently creating a unique and extraordinary experience.”
The composition is essentially a series of connected ‘catenoidal’ spaces. A catenoid is a type of curved surface generated by rotating a catenary curve around an axis. In simpler terms, it is akin to a tube with a curving wall that appears to have been gently pinched around the middle.
The construction of the catenoidal building required digital and analogue processes, ultimately being realised with a complex ‘truss-wall’ construction method – a more cost-effective alternative to conventional concrete formwork.

The building consists of 58 catenoids interlinked across four distinct floor levels. The curved geometry has resulted in a total surface area of 21,640 square metres of 400-millimetre-thick concrete (finished by hand) on an underlying truss-wall structure. Each catenoid is defined by a system of prefabricated truss frameworks onto which layers of reinforcement were fastened.
28,670 truss sections compose the building, each one curved in only two dimensions but modelled with radial grid lines to compose the complex forms. Truss wall units were created as compounds of 10-20 truss sections and modelled with x,y and z coordinates to optimise construction logistic and workflow.
Remember when Toyo Ito won the 2016 Pritzker Prize?
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
FK hosted a standout Melbourne Design Week event with a panel on adaptive reuse and renewable real estate at 500 Bourke, featuring previous contributor Nicky Drobis and our editor as moderator.
The internet never sleeps! Here's the stuff you might have missed
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.