Adventist Medical Centre – CWB is a pilot project in which a curated medical interior enriches user experience while addressing operational imperatives with precision.
May 1st, 2024
Medical centres and doctor’s offices often carry a stigma of being sterile and intimidating places, a perception that is often truer than not. However, Napp Studio & Architects are challenging this notion with the design of the Adventist Medical Centre – CWB in Hong Kong. They have designed the clinical environment into a welcoming space that nurtures body and mind, offering a departure from the norm.
As the office is located in an office tower, the narrow floor plate with gigantic peripheral columns served as a constraint. The floorplan needed to form a solid tunnel-like corridor to allocate programs that can be semi-open to the corridor. In terms of layout, the circulation flow maintains a continuous loop with each consultation room and designated staff area positioned along the windows for natural light infiltration.

The internal core then comprises operation rooms that are concealed and facilitate way-finding, while the two main public areas – namely the reception lobby and the waiting area – reference the iconic circular shape of Adventist Hospital at Stubbs Road.
The promenade with the pharmacy and meeting rooms connects the oval main reception lobby to the circular main waiting area for registration. The layout of the waiting room is circular and enveloped in earthy tones of pale pink, while the sleek terrazzo wall is folded into seating benches with an extensive seamless circular stretched ceiling that mimics a giant skylight.
Related: Getting to know Hiroshi Nakamura
Underneath the benches are small movable wooden stools for bags. The centre features a modular doughnut sofa bench comprising 6 units. They can be freely arranged to create a circular auditorium-like seating for medical seminars in the space.
The main reception lobby presents itself as a grand and inviting entry point. Its iconic oval shape with limestone partition walls along the periphery provides patients with comfortable seating and a sense of privacy. Situated inside a typical office building with limited floor-to-ceiling height, the rippled ceiling with a central light box helps to extend the horizontal and vertical perception of the space.

Contrasting to the highly sanitised typical white medical interiors, the clinic is enveloped in a pink palette, which originates from Adventist Health’s branding colour with hues that reflect and relate to natural scenery — subverting the typical white and clinical interior that is often unpleasant to the users due to a lack of natural or human touch, an earthy material palette with various shades of pink and beige envelopes the clinic, to render a tranquil environment that calms one’s body and mind. The colour and material palette was chosen, as Napp Studio and Architects wanted to replicate the ambience in the canyon and pink lake, which radiated a sense of security and warmth.
Napp Studio & Architects
nappstudio.com
Photographer
Leon XU





INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
We round up the seven projects at Copenhagen’s 3daysofdesign that best reflected this year’s theme: Make This Moment Matter.
By creating an environment of vibrancy and activation, Level 8 of The Campus at Kokuyo has become a destination for collaboration.
The internet never sleeps! Here's the stuff you might have missed
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.
A recent Design Talk Series event presented by Royal Oak Floors saw Melbourne-based interior designer, and founder and principal of Mim Design, Miriam Fanning in live conversation with our editor.