Once again, Kartell whipped out the big guns, this year with a “metissage” of thoughts, philosophies, images, colours and styles at their ContamiNation themed stand.
On “planet design” Kartell is a nation contaminated by different ideas and styles…
It has no limits or boundaries and no barriers stand in the way of creativity, which roams freely inside the Nation. Kartell’s population is a mixture of ethnic groups and thoughts. Its territory is crossed by rivers of colours and vast expanses of projects and volcanoes from which new technologies and the energies of continuous innovation erupt.
ContamiNation is the theme with which Kartell is presenting itself and its new collection of products forged from collaboration with international designers and closely linked to the concepts of uniqueness and identity – and not only ethnic or cultural – that are synergically pooled together in the Kartell project.
“Contamination” or better yet, “metissage”, is the essence of the current project represented in design as in art, literature, fashion. Thanks to the communication media that have altered the speed of perceiving images and information, our daily life is depicted by a set of moods, nature, knowledge, cultures and minds that intertwine, interface, intersect each other, contaminate each other and symbiotically evolve to breathe life into lofty and unique moments of creativity lying outside pre-established lines or trends. In a continuous overlapping of technological research and ideas, the Kartell collection becomes “contaminated” and a part of increasingly different and less standardised universes with projects that reflect the contemporary way of life not only in Italy, but all over the world. It is no longer a State or a precise geographical location, but a truly global nation made up of single contaminations, a ContamiNation.
New prototypes and several products that have been finalised and are arriving in their final version, ready for sale, are major attractions at the trade fair exhibition space. They represent Kartell’s essence made precisely of contamination and at the same time capable of contaminating different styles and thoughts.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The new all-rounders among the lighting tools: ERCO’s new LED spotlights with RGBW varychrome technology feature variable light colour and brightness, subtle white nuances with excellent colour rendition and interchangeable Spherolit lenses for various light intensity distributions.
The highly anticipated Symfonisk collection, a result of the collaboration between IKEA and Sonos, will arrive in Australia on 27 September 2019.
The internet never sleeps! Here's the stuff you might have missed
At Peninsula University Hospital, a people-centric design approach brings together healthcare, culture and landscape — redefining the experience of care on Victoria’s Mornington Peninsula.
After 62 years dedicated to presenting the country’s best craft and design, Australian Design Centre is set to close permanently by 30th June, 2026.