October 19th, 2012
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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Getting an elusive introduction to the right person at a large corporation, multinational or Government office can be tricky. FRONT simplifies that process through unique matchmaking technology. And now that you’re in the door, we’ve got tips for you to consider when talking to these heavyweights.
Razzy graphic forms and pops of hypercolour – this new furniture collection from SBW shows that after 10 years of designing and manufacturing, they really know what they’re doing.
Spread over four levels, the Melbourne Administrative Appeals Tribunal’s new office finishes needed something special – contributing to flow as well as acoustic design. Luckily, Screenwood had the answer.
RMIT Design Hub presents Perceptive Power – an exhibition examining the complex and sometimes uneasy relationship between the artist and industry within the context of what is described as our ‘third industrial revolution’.
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