RMIT Design Hub presents Perceptive Power – an exhibition examining the complex and sometimes uneasy relationship between the artist and industry within the context of what is described as our ‘third industrial revolution’.
April 15th, 2015
With a focus on environmental sustainability, the exhibition presents a diverse body of work including works by Melbourne-based artists Ash Keating and Keith Deverell, Sydney-based artists Joyce Hinterding and David Haines, and Paris-based collective HeHe (Helen Evans and Heiko Hansen) and includes an interactive, ‘in residence’ program by Carbon Arts.
Spanning industry-funded public art celebrating technological progress to activist art performances questioning the status quo, the artist voice seeks to shift our perspective, enhance our powers of perception and provoke action. But how do these different relationships between the artist and the subject affect the power of these works to bring about change? At what point does an artwork become a work of design shaped by a particular agenda and how much does this distinction actually matter?
Perceptive Power articulates the unique ability of video and sound art to combine data representation and narrative to offer new ways of seeing and questioning our relationship with the invisible forces that power our economy. The artists ‘perform’ the industrial infrastructure of the past and the present, challenging our perceptions of what constitutes beauty, horror, despair and hope.
Acknowledgements:
Curated by Jodi Newcombe of Carbon Arts with CAST (RMIT University Centre for Art, Society and Transformation).
Co-curated for RMIT Design Hub by Kate Rhodes and Fleur Watson.
Part of the art+climate=change arts festival.
Graphic Design by Tin & Ed.
RMIT DESIGN HUB
Corner Victoria and Swanston Street
Carlton, Victoria, Australia 3053
designhub.rmit.edu.au
OPENING HOURS
Tuesday – Friday 11am – 6pm
Saturday 12 – 5pm
Closed Sunday and Monday
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
As we know, in the design world there’s no greater time to debut new products than at Salone del Mobile. Over an exciting week, thousands of exhibitors and visitors peruse the latest in design, and Italian design luminaries Lema, Fantini, Valcucine and Falper, are no exceptions.
Completed in November 2025, Hafeez Contractor’s 91 storey Minerva Tower sits within a 6.5 acre redevelopment that prioritised rehabilitation first.
The internet never sleeps! Here's the stuff you might have missed
Celebrating three countries from our region and their respective Architecture Institutes at the 2026 INDE.Awards.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.