What’s in a corner? The new Xoko range designed by Iratzoki Lizaso for Akaba uses a unique corner shape to great effect, making for flexible, practical commercial applications.
Flexibility is a consistent buzzword in the design industry – and with good reason when we consider future use and the pace with which our spaces are changing and adapting.
What we need in our schools, break out areas and hospitality spaces now, may not be what we need in five or ten years time. This is why it’s incredibly important for designers to consider products that offer a level of adaptability and fluidness.
Iratzoki Lizaso is a Spanish industrial design studio from the Basque Country. The duo behind the studio works in a cross-section of design disciplines, which brings a unique perspective to their work.
Seeing the need for flexibility in more than one way, the Xoko range, designed by Iratzoki Lizaso for Akaba, can not only be arranged in a multitude of ways for different purposes, it can also be constructed in a range of finishes.
What makes Xoko a standout is its unique form. The design studio took inspiration from the corners of architecture, creating a sculptural, softly rounded chair that can be turned, rearranged and seated on at various angles.
Adding more layers of versatility, the Xoko range comes in a range of variations, giving designers their own level of flexibility. Xoko is available in a four-way castor chair with a range of powdercoated base colours or metallic finishes. The upholstered shell is available in a selection of house fabrics and leathers. In addition, the Xoko Stool is available in two fixed height versions or a height-adjustable version.
For educational or training settings, the integrated pivot table makes an ideal companion in a complete and stylish package.
Xoko by Akaba is exclusively available from Stylecraft.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
From dementia-inclusive urbanism and home haemodialysis to multilingual typography and regenerative biomaterials, the Design Institute of Australia’s 2026 GOTYA winners point to an emerging generation designing with care, research and social responsibility.
HDR’s Factory of the Future at Western Sydney University turns an awkward slice of Bankstown City Campus into a hands-on learning environment for robotics, digital fabrication and advanced manufacturing.
The internet never sleeps! Here's the stuff you might have missed
Shortlisted in the 2026 INDE.Awards are a plethora of projects from Singapore and the Singapore Institute of Architects’ members. We celebrate the talent that resides in this country, as we showcase design that crosses borders and resonates in our Indo-Pacific region.
The latest print magazine is about to arrive! In this issue, Guest Editor Andrew Tu’inukuafe & Barrington Gohns of Warren and Mahoney push us to think, consider and collaborate.
The Art Gallery of New South Wales has reopened the Brett Whiteley Studio in Sydney’s Surry Hills following a major renovation by TZG that upgrades the building while preserving the character of the artist’s former home and workplace.
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.