Elizabeth Carpenter reflects on her community-focused design philosophy and the cultural richness of the award-winning Darlington Public School project, emphasizing connection, collaboration, and meaningful placemaking.

INDE-2025-Speaking Out!-Article-Elizabeth Carpenter
February 12th, 2025
Representing the “Best of the Best” category, proudly supported by Zenith Interiors, this episode dives into the creative journey behind the award-winning Darlington Public School project.
A Passion for Architecture
Jan Henderson: Elizabeth, did you always know you wanted to be an architect?
Elizabeth Carpenter: That’s such a quintessential question, isn’t it? While I can’t pinpoint an exact moment, I was definitely drawn to the built environment from a young age. I was influenced by an inspiring art teacher and developed a broad curiosity—a characteristic that’s often key for architects, who tend to be generalists. I vividly remember buying an issue of Belle magazine in the late 70s, featuring Ricardo Bofill. Growing up in Launceston, with no internet, discovering such incredible work was transformative.
The Joy of Architecture
Jan Henderson: What is it about being an architect that you love?
Elizabeth Carpenter: Oh, I love so much about it. Architecture becomes a way of life. The diversity keeps us engaged—working with people, solving problems, and creating spaces that serve communities. Attention to detail is crucial, and there’s something deeply rewarding about tackling challenges and delivering thoughtful, impactful designs.

Darlington Public School: A Vision Realised
Jan Henderson: Let’s talk about the Darlington Public School project. What makes it so special?
Elizabeth Carpenter: It was a truly remarkable project. The site is in a dense part of Sydney, bridging the large scale of the University of Sydney with the fine-grain terrace houses of Darlington. The school community is deeply rooted, with about 20-25% of students from Aboriginal backgrounds and generations of families involved. This strong sense of community inspired us to create a design that celebrated its unique culture.
A Community-Centric Approach
Jan Henderson: How did you incorporate the community’s identity into the design?
Elizabeth Carpenter: Collaboration was key. The community’s input shaped many elements of the design, especially the use of artwork to tell stories. Students, families, and local artists contributed pieces that were integrated into the architecture. For example, rugs designed collaboratively with children and their families became central features, embodying the school’s cultural richness.
Designing for Context
Jan Henderson: How did the site influence the design?
Elizabeth Carpenter: The site’s history and environment were integral to our approach. A tributary of Blackwattle Creek runs through the property, surrounded by casuarina trees, which we preserved. These trees inspired the patterned screens that filter light into the verandas, creating outdoor learning hubs. Functionally, the screens provide safety without feeling institutional, aligning with the community’s desire for a welcoming, non-restrictive space.

The Ultimate Recognition
Jan Henderson: Winning “Best of the Best” at the INDE.Awards must have been an incredible moment.
Elizabeth Carpenter: It was! We were completely surprised and so proud. It was a testament to the collaboration and hard work of everyone involved. The award validated our commitment to creating a school that is not only functional but also a beautiful and meaningful space for the community.
Looking Ahead
As Elizabeth Carpenter and her team at fjcstudio continue to push boundaries, projects like Darlington Public School serve as a shining example of architecture’s power to unite communities and create lasting impact.
This episode of SpeakingOut! is proudly brought to you by Zenith Interiors, platinum partner of the “Best of the Best” category at the 2025 INDE.Awards. Watch the full episode on our Instagram here.
Entries for the 2025 INDE.Awards are now open. For more information about categories, criteria and how to enter, head to www.indeawards.com.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The design community gathered at Zenith’s Sydney showroom to celebrate the 10th anniversary of the INDE.Awards and the official unveiling of the 2026 shortlist.
Presenting a sound and light event in Melbourne’s CBD, Autex Acoustics and DARKON showcased their exemplary products and raised the bar for better design.
The internet never sleeps! Here's the stuff you might have missed
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.
Presented by Designer Rugs