Adam Markowitz Design, in collaboration with Simeon Dux, has been awarded The Object at the INDE.Awards 2025. Their winning project, A Cabinet of Curiosities, is a masterwork of craftsmanship and adaptability; a poetic response to shifting domestic and professional life in the post-COVID era.
October 9th, 2025
Recognised as the premier architecture and design awards program across the Indo-Pacific, the INDE.Awards celebrate the region’s most progressive and inspiring projects. Each year, they honour those who challenge convention and redefine the boundaries between form, function and human experience.
In its 2025 edition, the INDE.Awards once again spotlighted the designers shaping our shared future, where craftsmanship meets innovation and the built environment responds to evolving cultural narratives. Within this landscape, A Cabinet of Curiosities by Adam Markowitz Design with Simeon Dux emerged as the winner of The Object category, presented in partnership with the American Hardwood Export Council (AHEC). This award recognises exceptional design objects that embody purpose, beauty and technical mastery.

Commissioned for an apartment interior originally designed by Adam Markowitz Design in 2019, A Cabinet of Curiosities reflects the transformation of domestic life in a post-pandemic world. Where once a glazed wall opened to views across East Melbourne, an office tower now stands as a symbol of urban change and adaptation. The apartment, once purely residential, now serves dual purposes as both home and workspace.
The clients, avid collectors, sought a piece that could perform multiple roles: to showcase their treasures, provide privacy from neighbouring buildings, and function as a concealed work-from-home station. The design answers this brief with sensitivity and ingenuity, offering both openness and retreat.
Through the use of elegant tambour doors, the cabinet transforms with ease; solid and shielding one moment, light and transparent the next. When the doors slide away, they disappear entirely, leaving a permeable, glowing object that filters light while maintaining visual connection.

At the heart of A Cabinet of Curiosities lies an extraordinary commitment to craftsmanship. Realised by master maker Simeon Dux, every element speaks to the precision and artistry of fine woodworking. Hand-cut dovetails, piston-fit drawers, continuous grain quartersawn veneer tambour doors and hand-turned drawer pulls fashioned from 10,000-year-old ancient redgum create a piece rich in material narrative and tactile depth.
Complemented by handmade brass fittings and seamlessly integrated power and lighting, the cabinet merges traditional joinery with modern function. It stands as both a sculptural centrepiece and a deeply practical object, embodying the dialogue between permanence and flexibility that defines contemporary living.

As The Object Winner at the INDE.Awards 2025, A Cabinet of Curiosities exemplifies the values of craftsmanship, adaptability and emotional resonance. It is not simply a piece of furniture, but a reflection of how design can respond gracefully to change, redefining the home as a place of beauty, meaning, and evolution.
Through this award, the INDE.Awards and AHEC continue to celebrate the enduring artistry of the handmade, and the designers and makers who give form to the stories of our time.
Discover the full lineup of 2025 INDE.Awards winners here. Entries to the 2026 INDE.Awards will open in early December.
Photography
Charlie White
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Celebrating three countries from our region and their respective Architecture Institutes at the 2026 INDE.Awards.
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.
With a plethora of talks, installations, exhibitions and happenings responding to this year’s theme (Design The World You Want), the eleven-day festival was the largest to date and arguably the most accomplished since inception.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.
The internet never sleeps! Here's the stuff you might have missed
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.