Space Between is a creative studio based in Melbourne with a highly diverse portfolio, including concept gallery At The Above. We spoke to co-founder, Dave Clark, to find out more.

Nike Tn, 25th anniversary corner store.
October 2nd, 2024
Dave Clark and Tyson Stenglein founded Space Between in 2010. Previously, the pair had been working as a graphic designer and professional AFL footballer, respectively – a fittingly eclectic variety for a creative studio that refuses to let itself be pigeon-holed in one corner of art or design.
“The team is a mix of creatives – a real cross-section,” explains Clark. “It’s got graphic design as its core, and then art direction, industrial designers… some of it is directed towards digital, some more spatial. And we tend to work solving problems with brands, right through to store concepts, and delivery of fit-outs and interiors. We approach things at the studio through a brand engagement lens.”

The studio has worked with Nike, for example, across multiple facets of their retail presence in Australia over the past eleven years – from store pop-ups to activations and online campaigns. Space Between also works with brands ranging across retail and hospitality sectors.
That’s just the studio though. This is also an operation with its own concept gallery, At The Above: “We always wanted to find a second space that could be an extension beyond the studio,” says Clark, with that dream becoming a reality in 2018. “[The gallery] is where we can work with local designers and local artists to flesh out concepts across fashion, art, design and the full gamut. Really, we don’t over-schedule it – we curate it more as a project and then the studio works backwards with the artist or the brand to develop a concept that we execute in that space. It’s always different and it’s always fresh… we explore new ways of bringing concepts to life.”

The multifaceted operation, though not totally unique, offers something different in a design industry that too often finds itself siloed into over-specialised niches. “We were inspired to [add the gallery space] to keep us young, connected and relevant in order to service our clients. It’s obviously evolved from there to become a standalone concept in its own right,” says Clark.
Taking a step back to see the bigger picture, it’s clear that ‘Space Between’ is a totally appropriate name. After all, if there’s a defining feature of the studio and gallery, it’s probably the ability to straddle various parts of design, art, fashion, branding and so on. As Clark notes, “it’s blurry – where we love to play is in that intersection,” all while focusing on the underlying concept in any given project.
Related: Sydney Design Week 2024

Outside the gallery and studio spaces, the project work is strikingly diverse. Clark draws attention to previous work such as a Nike pop-up in Guildford, Western Sydney that celebrated the 25th anniversary of the TN sneaker. It involved converting a milk bar into a store at the front and a museum at the back, showcasing and curating objects in there from around the world. “For a studio like Space Between and what we’re trying to achieve with At The Above, it’s about that intersection of the overarching concept and then being able to find that milk bar, for example, to design and fit it out,” he adds.
More recently, At The Above has hosted Mental Athletic magazine out of Milan, acclaimed photographer Roger Deckker, and has an ongoing project with ultramarathoner and author Josh Lynott around running and poetry well underway.

As for the future, the path remains clear – building on the same model and being driven by the creative aspect of the work. “The focus is definitely on where that crossover is and where those lines blur – I guess that’s where we want to remain. At The Above continues to develop as a concept, and Space Between is able to curate and be responsible for delivering concepts at the intersection of studio and gallery. Continuing to blur that line even further is our focus,” concludes Clark.
Space Between
sbtwn.sbtwn.com
At The Above
attheabove.com
Photography
Ladstreet & Traianos Pakioufakis (TN), Tom Ross (studio/gallery), Mitch Fong (Off-white)








INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
What exactly does a theatre consultant do, and why are they an important part of designing the spaces in which we tell the most dramatic stories? Charcoalblue’s Erin Shepherd tells us more.
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
The internet never sleeps! Here's the stuff you might have missed
What does home mean to us and how does it shape the way we live? These questions and more will be the focus for the second Sydney Open Symposium on Saturday 23rd and Sunday 24th May, 2026.
Craft, legacy, and American hardwoods converge in a collection that proves great design has no fixed address – one remarkable conversation across generations, geographies, and design traditions.