In this episode of Stories Indesign podcast, Timothy Alouani-Roby speaks to the Melbourne-based creative who is working with some of the world’s top luxury brands.
Public art in hospitality design goes beyond decoration, shaping guest experiences by fostering a sense of place – exemplified by the Nepean Looking Glass at Pullman Sydney Penrith.
Bundanon has announced its third major exhibition for 2024. Bagan Bariwariganyan: echoes of country and running from November 2nd to February 9th, 2025.
Space Between is a creative studio based in Melbourne with a highly diverse portfolio, including concept gallery At The Above. We spoke to co-founder, Dave Clark, to find out more.
Current is an exhibition presented by the Australian Design Centre that examines the interplay between land, water and ancestral memory as seen through the works of the respective artists.
Designed and constructed by Complete Thought Studio, the exhibition kicks off at the University of Sydney’s Tin Sheds Gallery on 1st August.
Ash Keating is a treasure in the landscape of Australian art. His works are powerful and dynamic and, while they can grace a home and provide beauty, large-scale they are masterpieces of awe and wonder.
Dreamtime Flooring, a 100 per cent Indigenous-owned business, has partnered with renowned carpet manufacturer Godfrey Hirst to launch the Here Before Collection.
Ames Yavuz has inaugurated its second gallery on the eclectic streets of Surry Hills. The opening exhibition speaks to personal experiences, offering a recollection of sentiment.
The Adelaide Biennial of Australian Art returns to the Art Gallery of South Australia on Kaurna Yerta for its 18th edition this year.
Touted as Japan’s most successful living artist, Yayoi Kusama’s famed and iconic Pumpkin sculpture has just landed in Australia, at Pt. Leo Estate Sculpture Park.
Rife with metaphor and misdirection, the work of Jonathan Dalton pushes us to question the norms of everything we know: media, politics, technology. Gillian Serisier explores the ‘other perspective’ that Dalton’s work offers us.