Young designer Steven Orlowski takes his cue from science, numbers, nature and Federation Square.
January 5th, 2009
Showcased at Sydney’s premier event for new and emerging designers – the Australian International Furniture – Steven Orlowski certainly stands out as an innovative young designer seeking to push the boundaries of furniture design.
With a record number of products on display, and numerous entries from UTS, RMIT, the University of Western Sydney, Lidcombe TAFE and East Gippsland Institute of TAFE, the Fair has seen seating emerge as a strong trend for 2009.
Orlowski’s angular, industrial-style chair certainly stood out. Drawing influence from both nature and man-made forms, Orlowski says that he has been working most recently with geometric shapes, numbers and science and looking at their relationship with ergonomics.
In particular, he took influence from the shapes and formation of Melbourne’s Federation Square, adding bright monochrome colour to further accentuate the lines of his design.
Also recently nominated for the annual graduate exhibition run with Object Gallery, Surry Hills, Orlowski is definitely one to watch in the future.
Contacts:
Steven Orlowski
(61) 410 177 603
steven_orlowski@hotmail.com




INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Presented by Promat
Living Edge are getting into the Christmas spirit with a fun and festive window display.
The internet never sleeps! Here's the stuff you might have missed
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.