The Classique team entertained over 100 guests at their Design Bar in Sydney’s Surry Hills on Thursday 15 December, with cocktail concoctions, divine food and even a burlesque performer to spice things up. The night was a hit with the design industry members and media in attendance.
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Finding a way to integrate multiple facets of the built environment, Japanese architecture firm Suppose Design Office not only creates contemporary projects but has opened a real estate agency and construction company all under one roof.
Reporting on the new Bates Smart designed Justice Building, Indesign Magazine Editor, Paul McGillick, explores the civic heritage of Sydney’s Parramatta.
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