December 14th, 2009





















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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Curvaceous, spiraling forms tell a story of organic precision and artful engineering
“I’m interested in the invisibility of the design scripts that are hidden within objects we use every day that channel certain stereotypes,” says Central St Martins course leader Betti Marenko. Looking around there are plenty of design objects embedded with gender stereotypes – from the ubiquitous fail of Bic for Her pens to Nika Zupanc’s “feminine” gold chair for Moooi.
Exploring futuristic ideas on Australian Urbanism – Australia’s two-part NOW + WHEN Australian Urbanism exhibition, Venice 2010. Competition now open.
With Melbourne in Design peeking just over the horizon, Launch Pad has opened its call for entries. And, to celebrate 10 years of supporting emerging Australian design, we catch up with Launch Pad 2013 winner Edward Wong and finalist Seaton Mckeon to hear about their experiences in the competition.
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