November 4th, 2009








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The magnetic pull of certain spaces comes down to how seamlessly they work and, more importantly, how they feel. Recognising this, Kettal Workplace draws on the uplifting codes of other sectors to deliver contemporary workplace design.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Director Farrokh Derakhshani joins STORIESINDESIGN podcast from Geneva to talk about the wide-ranging Aga Khan Award, which in 2025 awarded $1m to a series of winners with projects from China to Palestine.
We are used to high-rise living and high-rise working, but what about high-density schools? What’s the big hoo-ha and is it justified? Hayball’s design of two new vertical schools in Melbourne rethinks the education model for densifying urban environments, how a school operates in its community and what it provides.
The internet never sleeps! Here's the stuff you might have missed
Ahead of Saturday Indesign, architects reflect on why smaller gatherings, unexpected voices, candid discussion and meaningful follow-up can make meeting in person genuinely worthwhile.
For The Eye Piece’s fourth store, Ricci Bloch brings general optometry and a dedicated Lindberg shop-in-shop together within a double-height tenancy at Sydney’s EY Centre.