May 19th, 2009







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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
On Thursday 5 August, CaesarStone showcased the use of their products in the recently opened Art Series hotels with a tour of The Olsen Hotel followed by a cocktail event in the luxurious Olsen Penthouse.
After two years in the making, we welcome Decade by Blu Dot: the timeless plastic chair that is here to stay for a good, long time.
The internet never sleeps! Here's the stuff you might have missed
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.
Celebrating three countries from our region and their respective Architecture Institutes at the 2026 INDE.Awards.