The Serpentine has revealed the designs for its expanded Architecture Programme for 2016: the 16th annual Pavilion designed by Copenhagen and New York-based Bjarke Ingels Group (BIG).
March 1st, 2016
Introducing contemporary architecture to a wider audience, the Serpentine Architecture Programme presents a unique exhibition of contemporary international architecture in the built form. This year’s Serpentine Pavilion, designed by Bjarke Ingels Group, is an ‘unzipped wall’ that is transformed from straight line to three-dimensional space, creating a dynamic structure that by day houses a cafe and free family activities and by night becomes a space for artists, writers and musicians.
“For the Serpentine Pavilion 2016, we have attempted to design a structure that embodies multiple aspects that are often perceived as opposites: a structure that is free-form yet rigorous, modular yet sculptural, both transparent and opaque, both solid box and blob,” explain Bjarke Ingels Group.
“We decided to work oen of the most basic elements of architecture: the brick wall. Rather than clay bricks or stone blocks, the wall is erected from pultruded fibreglass frames stacked on top of each other. The wall is then pulled apart to form a cavity within it, to house the events of the Pavilion’s programme. This unzipping of the wall turns the line into a surface, transforming the wall into a space.”
Each Pavilion is sited on the Serpentine Gallery’s lawn for four months and the immediacy of the commission – taking a maximum of six months from invitation to completion – provides a unique model world wide. The brief is to design a 300-square-metre Pavilion that is used as a cafe by day and a forum for learning, debate and entertainment at night.
Serpentine Pavilion
serpentinegalleries.org

Hero Image: Serpentine Pavilion 2016 designed by Bjarke Ingels Group (BIG); Design render © Bjarke Ingels Group (BIG)
Serpentine Pavilion 2016 designed by Bjarke Ingels Group (BIG); Design render © Bjarke Ingels Group (BIG)
Serpentine Pavilion 2016 designed by Bjarke Ingels Group (BIG); Design render © Bjarke Ingels Group (BIG)
Serpentine Pavilion 2016 designed by Bjarke Ingels Group (BIG); Design render © Bjarke Ingels Group (BIG)
BIG (Bjarke Ingels Group): Denmark Pavilion, Shanghai Expo 2010; Image by Iwan Baan
BIG (Bjarke Ingels Group): The Mountain, Copenhagen, Denmark, 2007; Image by Iwan Baan
BIG (Bjarke Ingels Group): Danish Maritime Museum, Denmark 2013; Image by Luca Santiago Mora
BIG (Bjarke Ingels Group): Audemars Piguet Museum, Le Brassus, Switzerland, 2014; Image by BIG
BIG (Bjarke Ingels Group): Greenland National Gallery for Art, Greenland, 2010; Image by BIG and Glessner
Bjarke Ingels; Portrait by Jonas Bie
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The first local design event of its kind for several years, Brisbane Designscape provides a unique opportunity for design-minded professionals to explore new solutions, trends and innovations that will shape the commercial spaces of the future.
Fusing student ingenuity with professional expertise, Studiobird with nine Monash interior architecture students has re-conceived Fiat Chrysler’s Melbourne showroom into a spectacular retail experience. Alice Blackwood reports.
The internet never sleeps! Here's the stuff you might have missed
HDR’s Factory of the Future at Western Sydney University turns an awkward slice of Bankstown City Campus into a hands-on learning environment for robotics, digital fabrication and advanced manufacturing.
Daniel Boddam’s new Bronte showroom is also his home. By inviting clients into the spaces where he actually lives with his furniture, the designer offers a more intimate way to experience design.
Kengo Kuma, founder of Kengo Kuma & Associates and Pritzker Prize-winning architect, talks us through his collaboration with Jaipur Rugs that culminated with a showing at Milan Design Week 2026.
Late night rethinks, endless material testing and prototyping, half-finished or abandoned projects – the work behind-the-scenes work is often where ideas come undone. Elton Group’s Think Good Micro-Grant – a $5,000 annual fund now open for applications – exists to back this kind of unseen effort.