Peta Doherty discovers an architectural duo exploring a flourishing future for energy.
April 28th, 2010
A metallic 14-metre high wind-powered flower by London-based architectural duo Tonkin Liu, has been erected on the banks of the Mersey River in Cheshire, England.
The Future Flower, made of 120 galvanised mild steel petals holding clusters of low voltage LED lights, symbolises the beginning of a regeneration project that will see 200 acres of derelict industrial space transformed into a commercial and tourism zone.
The metallic flower represents the meeting point of industrial and environmental landscapes – wind-powered lighting demonstrating a future in energy efficiency.
The lights are powered by three small wind turbines attached to the flower’s stem, while the intensity of the lighting is controlled by the power of the wind.
Winds of 8 km or more produce varying shades of red and a windless day reflects the colours of the sky.
The flower was commissioned by North West Development Agency after an international competition for the design to energise the Widnes Waterfront project.
The design reflects the ethos of the architects Anna Liu and Mike Tonkin whose urban environmental projects are inspired by a search for the “primal beginning” of project.
The flower represents the first stage in the development of the project and an intersection between environment and urban potential.
Construction of the Future Flower involved collaboration between sustainability engineers XCO2, structural engineers Eckersley O’Callaghan and art-fabricator Mike Smith Studio.
Tonkin Liu
tonkinliu.co.uk





INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Una sets a new direction in WC design as the pan is semi-recessed into a low rise bench, allowing the designer to create an integrated bathroom aesthetic. The pan and bidette also feature a wrapping seat & cover that follows the curved front edge form of the Una range. Dimensions: 374W x 590D x 430H […]
The internet never sleeps! Here's the stuff you might have missed
At Hornsby Park, AJC Architects’ Southern Lookout marks the first architectural intervention in the transformation of a former quarry into a major public landscape.
Our recent exhibitor session showed a renewed SID moving towards hospitality, process and more meaningful showroom experiences.