Peta Doherty discovers an architectural duo exploring a flourishing future for energy.
April 28th, 2010
A metallic 14-metre high wind-powered flower by London-based architectural duo Tonkin Liu, has been erected on the banks of the Mersey River in Cheshire, England.
The Future Flower, made of 120 galvanised mild steel petals holding clusters of low voltage LED lights, symbolises the beginning of a regeneration project that will see 200 acres of derelict industrial space transformed into a commercial and tourism zone.
The metallic flower represents the meeting point of industrial and environmental landscapes – wind-powered lighting demonstrating a future in energy efficiency.
The lights are powered by three small wind turbines attached to the flower’s stem, while the intensity of the lighting is controlled by the power of the wind.
Winds of 8 km or more produce varying shades of red and a windless day reflects the colours of the sky.
The flower was commissioned by North West Development Agency after an international competition for the design to energise the Widnes Waterfront project.
The design reflects the ethos of the architects Anna Liu and Mike Tonkin whose urban environmental projects are inspired by a search for the “primal beginning” of project.
The flower represents the first stage in the development of the project and an intersection between environment and urban potential.
Construction of the Future Flower involved collaboration between sustainability engineers XCO2, structural engineers Eckersley O’Callaghan and art-fabricator Mike Smith Studio.
Tonkin Liu
tonkinliu.co.uk





INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Carr’s newly appointed associate director discusses how to foster the intangible, experiential dimension of hospitality design. It starts with a personal touch and a connection to place.
Yves Béhar and fuseproject take out the 2010 IDSA Bronze Design of the Decade Award for One Laptop Per Child.
The internet never sleeps! Here's the stuff you might have missed
Arts writer and editor Victoria Hynes reports on the breadth of this year’s Venice Biennale, drawing out highlights from national pavilions including Australia, Morocco, India and the UK.