India’s heritage of ancient cultures and vibrant architecture is something to be celebrated. Design Forum International seeks to preserve its history with a unique, visceral architectural language that speaks of ancient civilisations.

DCIM100MEDIADJI_0894.JPG
February 20th, 2020
India is a country rich in history. Archaeological sites dot the country, sites that showcase ancient cultures not only native to India but from around the world, from the Khmer Empire to the empire built by Alexander the Great.
The Pt. Deen Dayal Upadhyaya Institute of Archaeology, Greater Noida is an upcoming academic wing of the Archaeological Survey of India (ASI), under the Ministry of Culture. Leading the architecture for this new wing is Design Forum International (DFI) established by three young architects from the Indian Institute of Technology.

Constructed on a 25-acre square plot, the building’s form pays homage to India’s vibrant past— local materials, structural elements and spatial configurations define the architectural language, combining to create a visual experience which aims to establish a visceral connect with archaeology.

At the entrance plaza—nine broken arches stand together, signifying our constant search to rediscover our history drawing from remnants and broken pieces of information. Inside the brick walls, stone arches and the flooring’s geometric patterns, illuminated by the central skylight atrium transform the space into an immersive setting resounding with the glory of India’s ancient civilisations.

The archaeological museum is complete with restoration labs, an archival section and cafeteria. A huge 900-seat auditorium with an independent entrance comprises the right wing of the edifice. A research library, mini convention centre, office of the Directorate General of the ASI, as well as academic and training facilities are also contained within this beautiful space.

India is a diverse ark of the ancient world and preserving its archaeology is an ongoing and important effort. The housing of the past in beautiful spaces such as this one designed by the DFI is a fantastic step forward in this effort.

INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Arts writer and editor Victoria Hynes reports on the breadth of this year’s Venice Biennale, drawing out highlights from national pavilions including Australia, Morocco, India and the UK.
Anupama Kundoo, Finn Williams and Ludwig Engel will be keynote speakers as Living Cities Forum comes to Melbourne and Sydney in August 2026.
The internet never sleeps! Here's the stuff you might have missed
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Billo Bold, by Adam Goodrum for NAU, amplifies the plush proportions of the popular Billo seating collection with lusciously draped and folded upholstery.