Referencing the rolling hills of Icha Chateau brand’s own tea plantations, Spacemen created a sculptural destination for Shanghai’s discerning tea drinkers.
When coffee giant Starbucks opened its largest store in Shanghai, China in December of 2017, tea bars across the country pulled up their socks (so to speak). Using design as their instrument for reinvention, they set out to start a fresh conversation with their market of trendy tea drinkers.
Icha Chateau is an exceptional case in point, elevating its interiors by applying a fringed canopy to its ceilings. Working with Spacemen studio to pull off this impressive overhang, the tea bar and restaurant used 35,000 metres of gold chain in three different shades.

Mimicking the shape of Chinese tea plantations, the undulating, sculptural planes form various nooks and niches for patrons seeking privacy, while their soft nature invites people to touch and feel.
Grey mirrors, strategically placed behind the sofas, enhance the narrow site and reflect the gold cloud, creating a sense of dining within a forest. The sculptural piece is used to mask a structural column, turning it into the focal point where all chains are anchored, while its various levels and hues also conceal the store’s technical equipment.
Grey terrazzo, matte black stained timber and grey upholstery fabrics compose a muted material palette that provides a sleek background to the gold canopy above.

The dream-like interior is a celebration of Chinese tea culture. Through well-conceived design devices, Spacemen brings history and modernity into play, combatting the dominance of Westernised coffee chains to reignite Shanghai’s love affair with its heritage.
Get more hospitality inspiration here. And join our design community for weekly inspo straight to your inbox.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Fiona Drago Architect refreshes one of Melbourne’s best-known hotels, balancing heritage character with a more open and contemporary hospitality experience.
Returning to Melbourne this month, Australia’s official Passivhaus conference THRIVE turns its attention to the commercial case for high-performance building.
The internet never sleeps! Here's the stuff you might have missed
The Melbourne-based, not-for-profit practice has designed a new fit-out and outdoor gathering space for the Victorian Aboriginal Healthcare Service.