The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

A new hotel opens on Melbourne’s Western edge — with a bar to match

With design by SORA and LiFE, the opening of Mercure Melbourne La Trobe Street introduces a 195-room hotel to the CBD, alongside Foundry Bar and Kitchen — a rooftop-adjacent venue designed to draw both guests and locals.

A new hotel opens on Melbourne’s Western edge — with a bar to match

A new addition to Melbourne’s western CBD is aiming to do more than just accommodate overnight stays. The opening of Mercure Melbourne La Trobe Street brings 195 rooms to a part of the city that’s often overlooked, alongside a bar and restaurant offering that looks outward — both physically and socially.

Developed by Spacious Group, the $90-million project is the largest purpose-built hotel to open in Melbourne’s CBD this year, and the first new-build Mercure in the city centre in over a decade.

The 18-storey tower, with interiors by SORA Interiors and architecture by LiFE Architecture, draws lightly on the site’s past life as a tinsmith factory. That reference appears in details rather than overt gestures — abstract artwork in the lobby, metallic accents — set against a softer palette of travertine, drapery and diffused lighting that leans more towards retreat than industrial homage.

Guest rooms are organised to maximise outlook, with floor-to-ceiling glazing framing views towards Docklands, Flagstaff Gardens and the CBD. Interiors take cues from nearby green spaces, layering muted tones — greens, blush and soft neutrals — to offset the density of the city outside.

The hotel’s standout offering is its upper-level suite, where a freestanding bathtub is positioned directly against the window — a familiar luxury move, but still relatively rare in Melbourne’s midscale hotel market.

But it’s level six that’s likely to shape how the building is used day to day. Here, Foundry Bar and Kitchen occupies a combined indoor and outdoor footprint, with a bar, restaurant and terrace overlooking Flagstaff Gardens.

Related: Lane 23 is a Kuala Lumpur hot spot

The space is anchored by a six-metre red marble bar, with mirrored surfaces and underlit shelving creating a more theatrical atmosphere than the calmer tones downstairs. Like the hotel, it carries through subtle industrial references — copper, brass — without leaning too heavily on them.

Outside, the terrace is one of relatively few in this part of the CBD. Oriented towards the west, it captures late afternoon light and views across to Marvel Stadium and Docklands — positioning it as a potential after-work drawcard as much as a hotel amenity.

The food and drink offering follows a similar logic. A strong emphasis on Victorian producers runs through the wine list, while the cocktail menu leans into technique-driven drinks — clarified, infused or otherwise reworked classics.

Taken together, the hotel and Foundry suggest a shift in how these midscale developments are being positioned. Rather than operating as closed systems, there’s a clear attempt to engage with the surrounding city — not just through views, but through programming and access. Whether that holds over time will depend on how the space is adopted. For now, it adds a new layer to a quieter part of the CBD — one that’s gradually becoming more active after hours.

SORA
sorainteriors.com.au

LiFE Architecture and Urban Design
lifearchitecture.com.au

Photography
Adam Bruzzone

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed