From Disney to the Metropolitan Museum of Art, Meastri’s high profile work sees the Australian leading his field, Robert Townsend reports.
August 28th, 2012
“It’s about creating an immersive environment, especially with something so abstract,” Deep Oceans exhibition designer Aaron Maestri explains.


“The deep ocean is black. There is no light, so you have to play to people’s perceptions about being underwater, because if it totally takes reality as its driving force, it’s too foreign for people to understand.”

Deep Oceans Entry Concept Sketch with Jules Verne-esque visual references

Deep Oceans Exhibition Entry
Maestri has been working for over a year on the project which takes visitors to the depths of the seas. The facade forms a gateway to the exhibition, which moves from the known to the unknown as different zones of the ocean are uncovered through a layering of visibility.

Aaron Maestri’s Deep Oceans exhibit Concept Sketch

Inspiration came from related iconography, such as 2000 Leagues Under The Sea, jellyfish, U-boats and rock pools, to wider influences like 1950s comics, amusement parks and even Maestri’s fondness of vintage coffee machines.


Aaron Maestri’s Deep Oceans Exhibit Concept Sketches
Having studied an integrated design course at COFA, Maestri has 16 years of experience in industrial design and exhibit design.
He began working on exhibitions at the Maritime Museum and the State Library, before moving to Italy and then to America for eight years, where he designed a number of big-budget projects, including the Metropolitan Museum of Art’s Permanent Islamic Galleries and the Walt Disney Family Museum in San Francisco.
“The Disney project was $100m. They were like, ’What marble should we put on the floor? Do you want to go to Carrara and look at the marble?’”


Aaron Maestri’s Deep Oceans exhibit design for the Australian Museum conveying the scale and magnitude of the deep sea’s inhabitants
Such varied experience has stood Maestri in good stead to create a thoroughly immersive and engaging exhibition with Deep Oceans, yet he understands the importance of not leaving too big a thumbprint on his work.
“The thing about exhibition design is that you can’t have your own style, it really should enhance the content. The design just needs to create the environment for people to appreciate the objects on display and the stories that you are telling.”
Aaron Maestri
Deep Oceans
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
World-renowned quartz manufacturer Caesarstone has announced its latest collaboration, a partnership with New York-based collaborative practice Snarkitecture!
Snarkitecture, have created yet another designer spectacle, this time for Milanese fashion house, Valextra’s 80th anniversary.
From the industry-defining impact of the humble fabric swatch to the resonant statement on relevance and innovation at this year’s Salone del Mobile, Knoll’s material excellence continues to shape the world of design. Here, we explore this extraordinary legacy and look at how it informs the brand’s contemporary expression and the future of design.
Get Involved! Are you a designer, an architect or do you work in the design industry? indesignlive.com will be holding a focus group on Friday 12 December and we need you! We are constantly reviewing the website and want to make sure it is working best for you. Which means we would love to get […]
The internet never sleeps! Here's the stuff you might have missed
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
Milan Design Week means more than lounging in luxury and the latest in bathroom beauty. We pull out a handful of exciting commercial furniture highlights.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.