Law is one of the oldest professions in the world but Architectus’ new design for Ashurst Sydney’s workplace at 39 Martin Place reflects and responds to contemporary shifts.
October 16th, 2025
As a profession, law has undergone significant changes in recent years due to evolving working patterns, client needs and technologies. In most multi-floor office spaces, staircases are hidden away, serving primarily as fire exits while lifts tend to be prioritised for everyday movement between floors. For the new fit-out of Ashurst law firm’s Sydney offices, however, the stairs take centre stage.
Patricia Bondin, Principal at Architectus, explains that the prominently located staircase with striking teal-green solid bannisters acts as “vertical connective tissue.” It encourages movement between floors and teams while increasing the likelihood of chance encounters.

This emphasis on social encounters and in-person interactions is central to the design of the new eight-storey office – Ashurst’s second-largest workplace globally. The brief asked Architectus to “move away from the traditional legal office structure of enclosed offices for senior staff and open-plan areas for junior staff,” explains Bondin. “The vision was to create a more flexible, experience-based environment that would enhance both client engagement and staff collaboration.”
To meet this brief, Architectus undertook a thorough consultative process that included workshops, interviews and persona studies engaging all practice groups to understand which settings were under- and over-used in the previous office – and where conflict or friction were occurring spatially.

One unexpected finding revealed how keenly staff noticed the absence of a space where the entire Sydney team could gather. “That lack of a shared, all-team space was something staff noticed and felt, and it became a key design opportunity,” Bondin reflects. Another finding was the strong desire to integrate hospitality spaces – such as eating and outdoor areas – into the design itself, rather than treating them as later additions.
To address both needs, the top floor of the new workspace is devoted to open and flexible gathering spaces, including a café, terrace, event spaces and informal zones that can accommodate small or large-scale events. “This helps provide that all-staff gathering space and informal connection,” Bondin says, and “has especially stood out as a success” in feedback from staff and clients who have been using the new office since July.
Related: More workplace design by Architectus

The emphasis on gathering and informal encounters in both the brief and the design reflects the rapid change the legal profession is undergoing, says Bondin. Working patterns have shifted drastically due to hybrid work arrangements, changing client demands, evolving team structures that break away from fixed office hierarchies and new technologies. Consequently, alongside building in opportunities for sociability, the design prioritises agility and reconfiguration, positioning the workplace to evolve as further changes in legal practice develop.
This adaptability is particularly evident on Level 4, which was “specifically designed for project-based and team-oriented work,” Bondin says. On this floor, working zones are reconfigurable through movable walls, furniture, and screens that can support various team sizes and workflows.

Across all floors, regardless of their specific focus, there is consistency in material use that harnesses warm tones and shared joinery and lighting fixings. Thus, despite the variety and flexibility of the work and workspaces in the 10,000 square metre workplace, a sense cohesion can be felt as one moves between the floors via the prominent green staircase.
Architectus
architectus.com.au
Photography
Nicole England







INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Brunit by 23 Degrees Design Shift brings together expressive structure, industrial materiality and climate-conscious hospitality on a rooftop site in Vijayawada.
Adelaide Design Week returns in October 2026 with the theme every*one, inviting designers, makers, studios, collectives and creative thinkers to submit expressions of interest.
What does home mean to us and how does it shape the way we live? These questions and more will be the focus for the second Sydney Open Symposium on Saturday 23rd and Sunday 24th May, 2026.
As part of our ongoing series of intimate editorial dinners with Signature Appliances, we recently gathered a group of architects, designers and industry voices in Sydney for a private conversation around one of design’s most persistent questions: can everyone have access to great design and beautiful spaces?
The internet never sleeps! Here's the stuff you might have missed
Gold Coast-based photographer Tanika Blair brings an interior design eye to her work, capturing architecture through light, feeling and a strong sense of story.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
Recently in Australia as plans for the first new cathedral in over a century in Sydney were announced, Níall McLaughlin met Timothy Alouani-Roby during his visit to discuss community, tradition, inspiration and the history of architecture.