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Chus Martínez and Nguyen Le reflect on the importance of exhibition design as their own show – ‘A velvet ant, a flower and a bird’ – runs at the Potter Museum of Art.
A lobby upgrade of 440 Collins St demonstrates how a building’s street-level spaces can be activated to serve many purposes.
At the NGV’s Making Good: Redesigning the Everyday, design becomes a force for repair. From algae-based vinyl to mycelium earplugs, the exhibition proves that rethinking the ordinary can reshape our collective future.
Law is one of the oldest professions in the world but Architectus’ new design for Ashurst Sydney’s workplace at 39 Martin Place reflects and responds to contemporary shifts.
Architectus’ new headquarters for Q-CTRL addresses complex technical requirements while creating an enjoyable place to work.
The shared Melbourne office brings together Studio 103 and McCormack in a dual headquarter that doubles as a showcase of materials and craft.
A retrospective at Canberra Museum + Gallery honours Enrico Taglietti, shaping the exhibition through his own design principles.
A recent exhibition at the Robin Boyd Foundation in Melbourne invited visitors to think deeply about sheds and what this under-appreciated building typology can teach us about construction and living today.
Despite its long and rich history, signwriting is a profession in decline. Will Lynes’ new show, Oily Water at Canberra Glassworks, aims to showcase the techniques of the trade to highlight its potential in design.
Trent Jansen’s first Sydney solo exhibition in years celebrates the poetry and stories that grow from collaborative making as well as the importance of co-creation.
Mim Design and Konstance Zaharias collaborate to design an interior for a unique context: the chambers of a King’s Counsel in Melbourne.
Reuse, resourcefulness and material transformations bring unexpected stories to Arup’s new Brisbane office, designed by Hassell.
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