Jardan unveils the Colourscapes collection. This expansive offering of commercial furniture captures the brand’s signature aesthetic through dynamic forms, unique textures, and a mouth-watering colour palette.
June 26th, 2023
Jardan has just released a commercial collection that is distinctly designed for modern Australian spaces. Entitled Colourscapes, the collection is Jardan’s largest and most diverse commercial release to date, offering accessible and versatile options that channel the premium yet playful Jardan aesthetic.


Colourscapes is defined by an exploration of colour, tactility, and form. It is designed with inherent versatility, positioning itself as a collection open to interpretation and allowing customers to inject their style into the selection process.
As Jardan’s Nick Garnham says, the intention behind the collection was to develop a commercially-oriented range that could merge simple, clean lines with bold shapes and an expansive colour palette. This versatility allows the collection to fit effortlessly into any customer’s unique requirements.


One of the collection’s defining features is the integration of fabrics and finishes. Collaborating with Kvadrat Maharam, Jardan has selected fabrics to bring a new dimension to the collection.
Jardan introduces four new exclusive powdercoat colours – Moss, Mustard, Reef and Twilight, alongside its existing range. These colours offer a fresh perspective on the products’ silhouettes, uniting the familiar with the contemporary while providing an additional layer of visual interest.


The Colourscapes collection comprises two chairs – Raf and Roy, and three tables – Wilbur, Bass and Arrow. Together they create a cohesive collection that encourages vibrant and dynamic setups.
The Raf chair demonstrates a minimalist design approach with plenty of customisation options. It enables a multitude of configurations, with different base, arm and seat pad options, along with fabrics and finishes.


The Roy chair, on the other hand, features a more simplified design, focusing on comfort and colour. Depending on the choice of fabric, the Roy chair can be adapted to suit various aesthetic styles.
Meanwhile, the Arrow and Bass tables offer customisation options and the Wilbur table provides adaptability, functioning as a meeting desk or a work-from-home station as required.


Colourscapes is now available for purchase at showrooms in Sydney, Melbourne, Brisbane and Perth, as well as online.
Jardan
jardan.com.au








We think you might like this article about Sheeth Headquarters by Studio Prineas.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Founded by Richard Munao in 2017, NAU’s presentation at 3daysofdesign builds on decades of groundwork by Cult and marks a confident moment for Australian design overseas.
FK hosted a standout Melbourne Design Week event with a panel on adaptive reuse and renewable real estate at 500 Bourke, featuring previous contributor Nicky Drobis and our editor as moderator.
The internet never sleeps! Here's the stuff you might have missed
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.
Adelaide Design Week returns in October 2026 with the theme every*one, inviting designers, makers, studios, collectives and creative thinkers to submit expressions of interest.