What happened when Herman Miller tasked the designers at SJB to reinterpret the iconic Nelson Bubble Lamp to articulate themes of diversity and inclusion…
May 31st, 2021
Tasked with reinterpreting the iconic Herman Miller Nelson Bubble Lamp to articulate themes of diversity and inclusion, SJB created a design whose strong base reflects the importance of community support and, in the process of working on the project, rediscovered as a team the joys of in-person collaboration within the office.
In responding to the brief from Herman Miller to respond to ideas of diversity and inclusion, SJB decided that “we wanted to take the lamp and fundamentally change it in some way,” says Victoria Judge, team leader at SJB.
As a result, it became a table lamp, with three robust legs cast from a 3D printer moulded with plaster “to give some texture to make sure that every leg was different,” explains SJB team leader Charlotte Wilson. The three strong, crafted legs support the lamp “in the same way as when you feel included, you feel supported,” Victoria says.
To reflect the diversity of the SJB team, every staff member wrote a message onto the lamp. While the writing is invisible when the lamp is off, when illuminated “suddenly, all these beautiful answers to the question ‘when do you feel most included?’ are [revealed],” Charlotte describes.
With the project coinciding with the return to the studio after a year of working from home, “coming back to the office and actually doing this project really taught us the importance of being in the office and collaborating,” Charlotte reflects. Victoria agrees: “It’s not about the result, for us it is about the process that we went through and the sense of collaboration.”
Find out more about how the office has changed as a space of collaboration.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
The internet never sleeps! Here's the stuff you might have missed
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.