As students, we are representing ourselves and our interpretation of design. The work on display will include a culturally inspired storage item, material utilisation project and a seating project. Each piece is showcasing student graduate work. We are the now, finding solutions for 21st century problems, using sustainable materials by choice; 144 hours of design.
As students, we are representing ourselves and our interpretation of design. The work on display will include a culturally inspired storage item, material utilisation project and a seating project. Each piece is showcasing student graduate work. We are the now, finding solutions for 21st century problems, using sustainable materials by choice; 144 hours of design.
October 5th, 2011
As students, we are representing ourselves and our interpretation of design. The work on display will include a culturally inspired storage item, material utilisation project and a seating project. Each piece is showcasing student graduate work. We are the now, finding solutions for 21st century problems, using sustainable materials by choice; 144 hours of design.
What: 144 hours of design, Furniture design graduate exhibition
When: Gallery hours : 12pm-5pm 8/11/11 – 12/11/11
Where: Pigment gallery, level two Nicholas Building, corner Flinders Lane & Swanston Street
For more information contact: Rowan Turnham, Organising Student – sponsorshipteamrmit@gmail.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Materiality is a big deal now – and some have known its value for years!
Entries are now open for INDE.Awards, the Indo-Pacific’s first and only regional design awards program. Here’s your easy guide to entry.
The internet never sleeps! Here's the stuff you might have missed
By creating an environment of vibrancy and activation, Level 8 of The Campus at Kokuyo has become a destination for collaboration.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.