Iken,Bolon and (inside) Australian Design Review shared a space at the Peugeot showroom,which was creatively set up for the event by Thomas Adsett Architects.
October 8th, 2008
Peugeot passengers viewed the product launches and painted on the charity art canvas.












































































































































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In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Krost 2018 catalogue is here and wants to help take your project to the next level! Here we guide you through their comprehensive portfolio of product for 2018.
As questions around the meaning of a 9-to-5 workplace continue to arise, Charter Hall and Cox look towards technology and wellbeing for the solution.
The internet never sleeps! Here's the stuff you might have missed
Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.