November 6th, 2007


















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In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Australia Post’s new Melbourne Support Centre by Hassell showcases circular design, adaptive reuse and a community-focused approach to work.
From panel talks with luminaries to interactive installations, Saturday Indesign 2024 delivered a convivial experience for Australia’s design community.
Event theme: Celebrate Interior Design
The 65,000-strong International Federation of Interior Architects/Designers (IFI) will hold the World Interior Design Congress 2009 for the first time in the region under the patronage of Her Royal Highness Princess Haya Bint Al Hussein, wife of Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai from 10-11 November 2009.
The internet never sleeps! Here's the stuff you might have missed
Milan Design Week means more than lounging in luxury and the latest in bathroom beauty. We pull out a handful of exciting commercial furniture highlights.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.