Inspired by the mythological Yùtù, a Chinese rabbit that lives on the moon, ROBBi is one of the most collectable figures on the Chinese market amongst Millennials and Gen Z. The space rabbit is, in short, fabulous.

ROBBiverse is effectively the world of nine planets that ROBBi inhabits and for 2023, the year of the rabbit, ROBBiArt (the brand behind ROBBi) have collaborated with iconic brands China Aerospace, MCM, NBA, NEW ERA, Aston Martin and Creed to create a new range of ROBBi.

Showcasing these fun characters is ROBBiverse, a world created by Q&A studio, who posited the notion of a mysterious figure in a rabbit helmet who has just landed in Shanghai. “ROBBi is a mystery to all, as no one knows what lies inside their aerospace helmet.

However, their striking resemblance to a rabbit has made them a favourite for brand collaborations, especially during the Year of the Rabbit in the lunar calendar,” says ROBBIArt.

Located in Shanghai within the iconic Thomas Heatherwick’s building, 1000 Trees, the exhibition coincides with the building’s anniversary. To this end, ROBBiverse plays on location with moss and trees within the space age settings.

That said, for the most, the exhibition is pure space, with sparkling silver rooms, matte black faceted rocks within mat black interiors and glittering distant galaxies.

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Blending tangible with imaginary elements, the settings are both real and fantastical. The black faceted rocks for example, defy gravity being positioned on the floor, mid air and above. Meanwhile a constellation of stars shimmers through the voids.

The human scale ROBBi’s mid sheen silver suit is thrown into sharp contrast here, while their (neither male or female) helmet visor and chrome detailing reflect a sparkling universe. However, surrounding the black objects, is a natural border of soft spongy moss, as though these elements had just landed. The effect is slightly discombobulating with terra-firma and the unknown so closely positioned.

Countering this dark world is an arrival installation of pure silver. Here, the large curved wall of the exhibition entrance is covered in silver sequins. ROBBi is subtly written across the face of this large wall in a ever so slightly paler silver sequins, so while, the letters are huge, the branding is inconspicuous. Here, the ROBBi figure, again at human scale, is seated on a modernist silver bench with the visor reflecting visitors as they approach the entrance.

They are also mid-seat, making it perfect for fans to sit either side for photos. Q&A’s stage craft is at its best here with a long curved corridor of silver sequins that is long enough for the interior to be hidden from the entrance. Effectively it invites the viewer to step into the unknown as a neat unspoken metaphor for the philosophical conundrum of space travel itself. 

Providing connectivity throughout the 160-square-metre space is a grid like floor not dissimilar to disco floors of the 70s. Rather than flashing with coloured lights however, the floor is a softly glowing white grid. As the main curving wall continues, silver gives way to black with scatterings of pin prick lights depicting distant galaxies. Set within this wall are lit displays of the various ROBBi figures, and while they somewhat break the experiential nature of the exhibition, they are highly attended and completely necessary to the exhibition.

The exhibition is in fact a delight of figure and fantasy with the ROBBi figures beautifully ensconced within their natural environment.

Quarta & Armando
qaadr.com

Photography
Haha Lu

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