Set to undergo a $60-million revitalisation, the National Gallery of Australia has announced the launch of a landscape design competition for its Sculpture Garden.

Clement Meadmore, Virginia.
April 15th, 2024
Established in 1981 and located in Kamberri/Canberra, the National Gallery Sculpture Garden was designed by landscape architects Harry Howard and Associates alongside Barbara Buchanan and Roger Vidler. It’s the largest and most significant sculpture garden in Australia, and its original design formed a response to and extension of the building’s triangular geometric spatial configuration crafted by Colin Madigan AO and his team.
The three-hectare garden surrounds the National Gallery on its setting by the shores of Lake Burley Griffin. Its native plants are suited to the distinctive, extreme Canberra climate, with its winter weather and hot dry summers. Sculptors and artists whose work is on show there include Bert Flugelman, Clement Meadmore, Auguste Rodin, Thancoupie (Dhaynagwidh/Thaynakwith people), Fujiko Nakaya and James Turrell.
The Sculpture Garden Design Competition has just been announced and is set to involve an open-call, two-stage competition. The aim is to select a design team to create an innovative design incorporating a public place for experiencing art, education, cultural and social events – all while respecting the garden’s original design intent and heritage values.
Related: An exhibition with vision and meaning in Thailand

“This is a very important site in regard to Australia’s cultural heritage and offers a rare opportunity to contribute to the modernisation of a national institution,” says Gallery Director, Dr Nick Mitzevich. “There is complexity and dynamism in what we are seeking, and we are excited to see the innovation the industry can offer to this unique design opportunity. Our aspiration is to build on the original landscape design, while respecting the ethos at the heart of that design. However, we don’t want to limit responses through predetermined concepts and encourage applicants to put together something we haven’t seen before.”
Notably, the competition is open to all design teams, with multidisciplinary partnerships – Australian, international or both – especially encouraged to enter. Applicants are also encouraged to include a landscape architect, a First Nations practitioner, artist, architect and botanist or horticulturalist in their entry teams.

Dr Nick Mitzevich adds thats “consulting with Australian First Nations peoples is imperative to the delivery of this project. The competition is open to all design teams and encourages multidisciplinary partnership.”
Guided by Australian Institute of Architects (AIA) Life Fellow, Annabelle Pegrum AM, the Stage One Competition Brief has been developed in collaboration with a panel of eminent individuals with industry experience across landscape design and architecture, art, architecture, education, heritage, accessibility and botany. The stated emphasis is on unique and imaginative conceptual designs which create a responsive landscape of resilience designed to mitigate climate change and enhance the mature trees and other plantings, with sustainability, accessibility and embedding First Nations principles central.

Entries for Stage One close 12 noon AEST on Wednesday 29 May 2024. Entries will be assessed by the Jury anonymously and a shortlist will be announced in June 2024. Stage Two will then see shortlisted entrants invited to further develop their conceptual designs for consideration by a jury comprising Professor Philip Goad (Chair), Nici Cumpston OAM, Dr Nick Mitzevich and Teresa Moller.
National Gallery of Australia
nga.gov.au
Photography
Various







INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
Powerhouse Parramatta has commissioned more than 50 leading designers from across Australia to shape the spaces and experiences of the new museum, including public, exhibition, restaurant and retail spaces.
The internet never sleeps! Here's the stuff you might have missed
As part of our ongoing series of intimate editorial dinners with Signature Appliances, we recently gathered a group of architects, designers and industry voices in Sydney for a private conversation around one of design’s most persistent questions: can everyone have access to great design and beautiful spaces?
Designed by JPE Design Studio with Warren and Mahoney and cultural creative designer Karl Winda Telfer, Adelaide Aquatic Centre — Kauwingka — recasts civic leisure as landscape, gathering place and cultural story.
Adelaide Design Week returns in October 2026 with the theme every*one, inviting designers, makers, studios, collectives and creative thinkers to submit expressions of interest.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.